Bountiful Beautiful Butterfly Bushes: Buddleias: January’s Feature Plant

My first monthly feature plant for the year are the beautiful, bountiful buddleias, which are in full bloom this month. Also spelt Buddlejas and known as Butterfly Bush, due to its popularity with butterflies; Summer Lilac and Bombsite Plant (see later), they were named by Linnaeus after Reverend Adam Buddle (1660-1715), an English botanist and taxonomist, who produced 36 volumes dedicated to British native flora (volumes 14 to 36 about mosses alone)!BlogBugsBBB20%Reszd2015-12-11 09.56.33They belong to the Foxglove family Scrophulariaceae (Buddlejaceae), with the genus containing at least 100 species (some sources number 140) and numerous decorative cultivars. They hail from four continents: Asia; North and South America: 60 species from Southern USA to Chile; and Africa, with no buddleias native to Europe or Australasia.BlogBugsBBB20%Reszd2015-12-10 19.02.53Please note that because I inherited my buddleias, which were already well-established in our garden, when we arrived, I do not know their names, though I assume they are all forms of B. davidii, hence my photographs will be identified solely by their colour!

While I will try to be consistent with my spelling, generally restricting myself to using ‘buddleia’, the odd ‘buddleja’ might still slip in, especially when the latter spelling is used in the names of plants or plant collections!

Description

Large, sprawling, deciduous (temperate climes) or evergreen shrubs (tropical areas) shrubs, usually less than 5 metres tall, though they can reach 9 metres tall.BlogButterflyHeaven 20%Reszd2015-12-03 10.24.44Long, narrow, lanceolate leaves, arranged in opposite pairs, except for B. alternifolia, in which the leaves are arranged alternately. Leaf size varies from 1 to 30 cm long. The leaves are often crepe-textured with pale, sometimes downy, undersides. Some species are silvery grey, while others are a dull matte green.BlogButterflyHeaven 20%Reszd2015-12-01 15.24.57Buddleias are grown for their flowers. Many have long, nectar-rich flower spikes, but some occur in spherical heads or loose clusters. The Asiatic species have terminal panicles, 10 to 50 cm long, and tend to be pastel pink or mauve, while the American species have cymes, forming small globose heads, which are often red, orange or yellow. Many cultivars have deeper colours, including a rich reddish-purple.BlogSummers here 20%Reszd2015-11-24 17.47.45 Each individual flower is tubular and divided into four spreading lobes (petals), 3 to 4 mm across. The corolla length again varies according to the species. Asiatic species have a 10 mm long corolla, while American species vary from 3 to 30 mm, the latter having long red flowers, pollinated exclusively by hummingbirds. Some species are fragrant and strongly honey-scented, attracting not only butterflies, but also moths and bees.BlogBugsBBB20%Reszd2015-12-07 09.40.29Flowering times vary according to the species, but generally they flower from Spring to Autumn. We had our first bloom in mid-November last year.BlogButterflyHeaven 20%Reszd2015-12-05 17.17.59The fruit is a small capsule, 1 cm long and 1 to 2 mm diameter with numerous small seeds.

Use and Care

Buddleias are usually grown for their flowers, as a feature plant and as a butterfly food plant, though B. davidii yields dyes (black and green from mixed flowers, leaves and stems, while the flowers alone produce an orange-gold to brown colour); and B. officinalis and B. asiaticum are used in traditional Chinese and Korean medicine and. See: http://www.chineseherbshealing.com/butterfly-bush/.

They are extremely hardy and tough, the deciduous species being hardier than the evergreens, though none will tolerate prolonged severe Winters. They are incredibly easy to grow and undemanding, tolerating salty air, drought, shade, urban pollution and most soil types, though they have a preference for chalky and limey soils.

Best in full sun on a moist, fertile well-drained soil, they grow incredibly quickly and some species can become invasive (more later).

They spread easily by seed and can be propagated easily by half-hardened soft wood cuttings taken in late Spring and early Summer. Cut a 15 cm new shoot, just as it is beginning to harden up, trim below the leaf node and nip out the top, then remove any large leaves. Dip the cut end into hormone rooting powder or honey (though it really doesn’t need it!) and plant in a 50/50 mixture of horticultural sand and compost.

They should be deadheaded constantly throughout the flowering season to encourage more flowers and prevent self-seeding and then pruned back to within 3 to 6 inches of the old wood in very early Spring, around crocus time, removing all dead wood. I am referring to the most common Butterfly Bush, B. davidii, here.

Pests include capsid bugs, caterpillars, nematodes (when grown in sandy soils) and red spider mite (especially during droughts). Neem Oil is a good organic treatment for all infestations. Buddleias can also experience root rot, if growing in swampy ground, and downy mildew, if grown in a cool climate with extended periods of rain.BlogBugsBBB20%Reszd2015-12-07 09.16.16Species and Cultivars

B. globosa : Orange Ball Tree

See: https://www.rhs.org.uk/Plants/2453/Buddleja-globosa/Details

Buddleias are mostly 20th century plants, except for Buddleja globosa, which was introduced to Britain from Chile in 1774. It is semi-evergreen, 5m tall and wide, and produces highly fragrant, honey-scented, orange globular inflorescences on branches from the previous season’s growth.

B. colvilei : Himalayan Butterfly Bush/ Tree Buddleia See: https://lambley.com.au/plant/buddleja-colvilei and http://www.louistheplantgeek.com/a-gardening-journal/802-buddleja-colvilei.

2 to 6 metres tall deciduous shrub or small tree with dark pink flowers in Summer.

B. paniculata   See: http://www.buddlejacollection.com/plants/paniculata/

Deciduous 6 metre tall shrub from East Asia and Northern India.

B. alternifolia:    Weeping Butterfly Bush/ Alternate-Leaved Butterfly Bush or Fountain Butterfly Bush

A weeping, semi-deciduous, 5 metre tall shrub, native to North-West China (Kansu), which also produces flowers on older wood, and whose leaves are arranged alternately along the stems. For an image, see: https://www.rhs.org.uk/Plants/2441/Buddleja-alternifolia/Details and https://lambley.com.au/plant/buddleja-alternifolia-argentea.

B. asiatica:      Bai Bei Feng     or Dog Tail/ Asian Butterfly Bush.

See: https://wildlifeofhawaii.com/flowers/904/buddleja-asiatica-dogtail/

A 3 metre tall and wide evergreen shrub, whose dried and powdered root is used to make a fermented liquor, used as an abortifacient and to treat skin problems in traditional Chinese medicine.

B. officinalis:  Mi Meng Hua

See: https://www.rhs.org.uk/Plants/85046/Buddleja-officinalis/Details

A 2.5 to 4 metre tall, early Spring-flowering, semi-evergreen shrub, native to East Asia and Western China, whose flowers (dried or fresh) are used to make a tea used in the treatment of ophthalmic conditions eg Corneal Opacity; Glaucoma and Nebula. The leaves, flowers and roots contain a large variety of flavonoid, triterpenoid and iridoid glycosides, which have been shown to repair damaged cell membrane of lens, prevent protein denaturation in the lens, reduce lens opacity and restore vision.

In traditional Korean medicine, the flowers and flower buds are also used to treat eye problems, as well as cramps and spasms caused by problems with the intestine, bladder or stomach eg Irritable Bowel Syndrome. The leaves are used to treat gonorrhoea, hepatitis and hernias.

The flowers of B.officinalis are also used to dye rice yellow in sticky rice dish, Hao Leng, and Five Coloured Rice, Wu Se Fan.BlogEndofSpring20%Reszd2015-11-19 17.17.04B. davidii (B. variabilis)

The most popular cultivated Buddleia species and a semi-evergreen, open arching shrub, 1.2 to 4.6 metres tall and wide. It is native to Central China (Sichuan and Hubei provinces) and Japan.

It was introduced to Kew in 1896 (180 years after Buddle’s death) and was named after another clergyman, a French missionary called Père Armand David (1826-1900), who travelled over 7000 miles by foot in Asia and was the first European to see it flowering on stony rocky slopes in China. David collected 1500 plants in his travels, including 250 new species and 11 new genera, including the Handkerchief Tree, Davidia involucrata.BlogBugsBBB20%Reszd2015-12-07 09.44.01B. davidii is highly invasive and colonises dry open ground very quickly, including railway track sidings (see http://www.bbc.com/news/magazine-28196221); derelict factories and urban bombsites, hence its name, the Bombsite Plant.

Both the species and its cultivars have been banned in many states in the United States of America (eg Oregon and Washington), and it certainly has naturalised very successfully in Northern Australia.

There are interspecific hybrids like Buddleja ‘Lochinch’, a cross between B. davidii and B. fallowiana; and B. x weyeriana, a cross between B. davidii and B. globosa; and at least 180 B. davidii cultivars.BlogButterflyHeaven 20%Reszd2015-12-02 19.04.05Some of the most popular garden cultivars are Royal Red (rich magenta), Black Knight (dark purple) and Empire Blue (small blue spikes), all three being taller older varieties, as well as Sungold (golden yellow) and Pink Delight, the latter bred in Holland in 1990, a compact shrub with silvery foliage and fragrant long, pure pink flower spikes. Dartmouth is another tall hybrid, 5 metres tall, with magenta-purple hand-shaped blooms, whose spikes radiate from one ‘palm’.

There are compact varieties, suitable for smaller gardens, like the pink Peacock ; Purple Emperor; Adonis Blue; Marbled White; and Camberwell Beauty (like a dwarf Dartmoor), the last four named after British butterflies. Nanho Blue (blue) and Nanho Purple (purple) are both dainty hybrids, only 1.5 metres tall, with delicate long slender flower spikes.

Other hybrids include: African Queen (dark purple); Blue Horizon (clear blue); Petite Indigo (lavender- blue); Darent Valley, Nanho White, White Profusion and White Bouquet– all white; and Opera (pink). See: https://en.wikipedia.org/wiki/Category:Buddleja_hybrids_and_cultivars; and https://www.plantdelights.com/blogs/articles/butterfly-bush-buddleia-davidii-plant-buddleja for more species and hybrids.BlogButterflyHeaven 20%Reszd2015-12-01 15.32.16In the United Kingdom, there are 4 NCCPG national collections, including:

Peter Moore (http://bredbypetermoore.co.uk/) of Longstock Park Nursery (https://leckfordestate.co.uk/nursery) has been breeding more compact (1 to 2 meters tall), sterile buddleias for over 20 years, which flower for a longer period without self-seeding. He produces 50 Buddleia crosses each year, trialling the most promising hybrids in the garden, and spends 10 hours every week, deadheading all the Buddleias in the collection. Longstock Park Nursery has two Plant Heritage Collections, one of Clematis viticella, the other of Buddleias, as well as holding the Gilchrist Collection of Penstemons.BlogButterflyHeaven 20%Reszd2015-12-01 15.28.19The Buddleja Collection started as a deer- and rabbit-proof screening hedge along the old tennis court and now contains 160 species and cultivars, some of them tender. The aim is to conserve, grow, document and celebrate buddlejas growing in the United Kingdom. See :https://leckfordestate.co.uk/nursery-plants/buddleja-stock-list for the stock list of Buddlejas held.BlogBugsBBB20%Reszd2015-12-07 09.39.19The collection includes:

Sugar Plum: a compact form of B. davidii, with the reddest flowers of all buddleias;

Pink Pagoda: a pale pink form of B. x weyeriana;

Blue Chip: 0.6 to 0.9 metre high compact shrub with lavender-blue flowers with sterile seed; and

Silver Anniversary: A cross between B. loricata from South Africa and the lilac-pink B. crispa from Northern India, Bhutan, Nepal, Pakistan, Afghanistan and China, with the best silver foliage of any hardy buddleja. See: http://www.buddlejacollection.com/collections/  for the whole collection. BlogButterflyHeaven 20%Reszd2015-12-01 15.30.47Here is another useful link for further reading on Buddlejas: http://www.buddlejagarden.co.uk/linx.html.

Next week, we are visiting the beautiful Murrah Lagoon!

 

My Love Affair With Birds: Part Two: Reasons

So, what do I love about birds? Here are a few reasons:

Their ancient lineage and evolution: I still marvel that birds evolved from dinosaurs (Archaeopteryx) and that there is so much colour and variation in the bird world! Below are photos of a mural and a model of the Miocene Thunder Bird, also known as the Demon-Duck of Doom, Bullockornis planei, a member of the Dromornithids.

Their huge diversity:

Colour: We are so lucky in Australia to have so many brightly coloured birds with amazing colour combinations : For example, the multicoloured Rainbow Lorikeets, Noisy Pittas and Eastern Rosellas (first photo); Crimson Rosellas (royal blue and deep red) (second photo); King Parrots (emerald green and bright red) (third photo);  and Galahs (pink) (fourth photo); Satin Bowerbirds (the male is a metallic blue, while the female has a combination of greens) (fifth photo); Regent Bowerbirds (the males are gold and black with a red dot on their forehead); the Scarlet Robin, Golden Whistler and Blue Wren, all named for obvious reasons; the metallic green head of the male Chestnut Teal (sixth photo); the deep blue and red of the Purple Swamphen (seventh photo); and the iridescent blue-green flash of a Black Duck’s wing (eighth photo).

BlogLoveBirds50%Image (842) - Copyblognovgarden20reszd2016-11-06-11-35-43BlogJanGarden20%ReszdIMG_5860BlogLoveBirds2013-07-10 16.48.36BlogSpringGardenReszd2017-09-01 15.27.41BlogLoveBirds20%IMG_4184BlogLoveBirds50%aug 2010 304BlogLoveBirds20%IMG_1588I also love the pink of flamingos (first photo), the blue of Azure Kingfishers (second photo), Pheasant Peacocks and Blue and Gold Macaws (third photo) and the fantastically coloured plumage of Birds of Paradise and Mandarin Ducks.BlogLoveBirds50%Image (875) - CopyBlogAutumngardenReszd2017-04-15 16.56.10BlogLoveBirds50%Image (881) - CopyPattern: There is also so much diversity in pattern from the dots of Pardalotes (first photo), the chevrons on the tails of King Parrots (second photo), the herringbone pattern of the chest plumage of Wood Ducks (third photo) and the stripes of Fan-tailed Cuckoos, Hawks and Pink Eared Ducks (fourth photo). I also love the contrasts in the Red-Breasted Goose (fifth photo);BlogSummerDays20%Reszd2015-12-27 12.38.31BlogJanGarden20%ReszdIMG_5939BlogLoveBirds2014-09-22 17.47.34BlogLoveBirds2013-07-15 16.42.53BlogLoveBirds50%Image (869) - CopySize: Ranging from the large emus, ostriches, cassowaries, Wedge-Tailed Eagles, White Bellied Sea Eagles; Scrub Turkeys; Bustards; Palm Cockatoos and Black Cockatoos to tiny little SBBs (short for ‘small brown birds‘, which are notoriously difficult to identify, hence the group label!) Below are photos of a thornbill, wren and emu.BlogMarchGarden20%ReszdIMG_0753BlogLoveBirds2013-06-29 13.49.30BlogLoveBirds20%IMG_4093Form: Again, there is so much variety from long and streamlined (darter) to large and chunky (eagle);BlogLoveBirds25%IMG_3507BlogLoveBirds25%IMG_2444Beak Shape: A keystone in Charles Darwin’s Natural Selection theory with his studies on the variation of beak shape in finches (photos below in order are the Red-Browed Firetail Finch, the Crimson Finch and the Double-Barred Finch) and a natural correlationblogsept-garden20reszd2016-09-19-09-55-02BlogLoveBirds25%IMG_9029BlogLoveBirds25%IMG_0268 and leadup to:

Diet and Feeding Habits:  Bill shape is directly related to diet, superbly shown by the photo below, the long curved bill of the Eastern Spinebill, perfect for accessing the nectar of the agapanthus flowers.

BlogFestiveSeason20%Reszd2015-12-24 12.37.58 Compare the short strong beaks of seed eating finches (photos above) to the rounded bills of dabbling ducks and mine-sweeping spoonbills (first photo), searching for fish, small crustaceans and water life; the long probing beaks of Bar-Tailed Godwits (second photo); the short hooked beaks of meat-tearing eagles and vultures and long hooked beaks of Sacred Ibis (third photo); the boat-shaped bills of Kookaburras (fourth photo); the sharp points of diving petrels and gannets; the curved slim beaks of Rainbow Bee Eaters (fifth photo); and the strong nutcracking vices of King Parrots (6th photo) and cockatoos (7th photo), which strip fruit orchards, demolish bark in search of insects and crack open sheoaks and wheat grains;

BlogLoveBirds2014-11-06 13.34.55BlogLoveBirds25%IMG_0097BlogLoveBirds50%midmay 019BlogLoveBirds30%DSCF9393BlogLoveBirds25%IMG_9654

blogsept-garden20reszd2016-09-20-18-06-12BlogLoveBirds25%IMG_5596Habitats: Every niche and environment has its own particular birds from the polar penguins to the tropical birds of the equator and from mountains and forests to grasslands and farmlands, the river and the sea. BlogLoveBirds30%DSCF3925BlogLoveBirds30%DSCF0363BlogLoveBirds25%Lost City 2013 264BlogLoveBirds30%DSCF2697Birds have also adapted very successfully to urban  environments, coexisting with mankind for thousands of years. Some examples of the human-bird relationship include:

Poultry for eggs, meat, fat and feather products– they include chickens, ducks, geese, quails and turkeys;

BlogLoveBirds50%Image (847)Bird Aviaries and Companion Pets: Cockatoos, cockatiels, budgerigars and finches;BlogLoveBirds50%Image (847) - CopyBlogLoveBirds50%Image (850) - CopyOrganic Insect Control and Pollination;BlogSummers here 20%Reszd2015-11-28 19.23.45Falconry: Eagles and hawks for hunting;BlogLoveBirds25%IMG_2374BlogLoveBirds25%IMG_5638Pigeon Post;BlogLoveBirds30%DSCF4852Cormorants for catching fish;BlogLoveBirds50%late may 2011 240 and even….

Warning Bells: For example, the canary down the mine shaft to detect dangerously high carbon dioxide levels; and the dietary adaptations, changing migration patterns and extinction of bird species with climate change and habitat destruction.

Their habits:

Communication:

Where would the world be without bird song? Here in Candelo, I love waking up to the melodic trill of the resident blackbirds (first photo); the ‘Duke-Duke-Wellington’ of the Grey Thrush (second photo); the clear peal of the Crimson Rosella; the friendly warble of the magpie (third photo); and the beautiful song of the Pied Butcherbird (fourth photo).blogsept-garden20reszd2016-09-19-09-54-36BlogAugustGarden20%Reszd2016-08-18 14.49.08BlogPeonypoppy20%Reszd2015-11-14 09.21.06BlogLoveBirds25%bris2013 148Spring is heralded by the sweet call of the Striated Pardalote (first photo), Summer: the manic ascending cry of the visiting Stormbirds, the descending trill of the Fan-Tailed Cuckoo and the deafening clamour of massing Little Corellas prior to their January departure (second photo); and Winter is definitely on the way, when you hear the cold clear call of the currawongs (third photo).BlogSummerDays20%Reszd2015-12-27 12.39.01BlogFestiveSeason20%Reszd2015-12-25 21.14.56BlogLoveBirds30%DSCF4394I also love the calls of the bush birds:

The Eastern Yellow Robin is the first bird to wake up, giving it its scientific name: Eopsaltria australis, the Ancient Greek for ‘Dawn-Harper’;BlogWinterGardenReszd2017-06-01 15.19.08The Bowerbirds have such a distinctive whirr and the male and female Eastern Whipbirds have a combined song – the males calling first, followed by the whip of the females;BlogMayGarden20%Reszd2016-05-21 14.18.38The Lyrebirds are the consumate masters of mimicry. It is a joy to sit and listen to their full repertoire from Black Cockatoos to Grey Thrush, Eastern Whipbirds, Grey Thrushes, Currawongs, Kookaburras, Eastern Yellow Robins and a variety of parrots. See: https://wildambience.com/wildlife-sounds/superb-lyrebird/. I also love watching their courtship displays! Their tail feathers really do look like a lyre!BlogBenBoydNP20%Reszd2015-03-31 14.06.01Some bird calls are not quite so melodic! For example, the raucous squawks of our Summer party cockatoos and corellas for a start! When I was younger, our resident peacocks would often instigate police visits late at night after telephone reports of women being murdered when the poor disturbed birds would fly out of their roosting trees, straight at our peaked roof and slide inelegantly down the corrugated iron, shrieking the whole way!BlogCockatoo80%1st June 021

On our trip to North Queensland, the loud chatter of the Red-Tailed Black Cockatoos of Old Laura and the mournful cry of the Stone Curlews, forebearers of imminent death according to local aboriginal legend, were very distinctive and prominent.BlogLoveBirds25%IMG_5250BlogLoveBirds25%IMG_0062Courtship

Birds have an amazing repertoire of ways to attract a mate from vivid bright colours (usually the male plumage!) to their mating calls and incredible courtship displays eg Peacocks (photo below) and Birds-of-Paradise.BlogLoveBirds2015-01-27 11.58.55 Bowerbirds are also fascinating, building bowers in a north-south alignment, decorated with coloured objects, to attract females to watch his courting dance. blogsept-garden20reszd2016-09-25-09-50-40The Satin Bowerbird ( above) collects blue objects from blue Tobacco flowers and cornflowers to blue plastic pegs, milk bottle tops and biro lids, while the Great Bowerbird decorates its bower (below) with white bones and black river stones. They will even destroy other males’ bowers or steal their decorative objects to win ‘their bird’! Ross once timed the construction of a new bower from its demolished state- 40 minutes all up!BlogLoveBirds25%IMG_4409 Monogamy:

While Satin Bowerbirds are notoriously flashy, fickle and womanising, their cousin, the Catbirds (photo) mate for life, as do swans, geese, whooping cranes, black vultures, eagles and ospreys, some owls, ravens, scarlet macaws and Atlantic Puffins.BlogLoveBirds30%DSCF7246

Nests and Eggs:

Again, so much diversity in nests from the huge platforms of eagles and messy loose and dodgy-looking conglomerations of twigs by magpies and herons, to the neat traditional bowls and intricate hanging palaces of scrub wrens. Some birds don’t even have nests!BlogCockatoo20c 2013 104 Parrots use tree hollows (photo above) and peregrines lay their eggs on rocky cliff ledges, while cuckoos (photo below) steal other bird species’ nests, the interloper cuckoo baby turfing its host siblings out of the nest as they hatch and keeping their poor smaller and frazzled host parents constantly busy, satisfying their boundless appetites!BlogMarchGarden40%ReszdIMG_0239 - Copy - Copy Below in order are the nests of Nankeen Kestrels; a Grey Fantail; a honeyeater and Zebra Finches.

BlogLoveBirds25%IMG_1839blognovgarden20reszdimg_0435BlogLoveBirds50%Image (849) - CopyBlogLoveBirds2014-10-26 13.19.17I love all the different sizes, shapes, patterns and colours of bird eggs. Fortunately, egg collecting is a hobby of the past, but chemicals like DDT, as well as habitat destruction, not to mention feral animals, pose an enormous threat to birds like Peregrine Falcons.

Childrearing Practices:

While many birds support each other by feeding the incubating bird or sharing the feeding and guarding of the young fledglings, I love the role reversals within the bird world, where males often take on the important role of child rearing. The male scrub turkey and mallee fowl (first photo) build huge mounds, in which the female lays her eggs, then he carefully monitors and maintains the incubation temperature until the babies hatch and make their own way. They operate on the breeding strategy of ‘strength in numbers’, while male lyrebirds focus their energies on rearing one chick at a time, instructing their young in opera singing and dance performances. Male emus and cassowaries are also formidable primary carers of their young. In some bird species, rearing the next generation is a family responsibility with input from siblings form previous broods eg Superb Fairy Wrens.BlogLoveBirds25%IMG_6025BlogLoveBirds50%october 2011 359BlogLoveBirds50%late sept 131BlogLoveBirds30%DSCF3468Flight and Motion:

Is it any wonder that many people aspire to a reincarnated life as a bird?! Not only can they walk and run, but also swim, dive and fly,  completely at home in all environments! The sight of a majestic eagle soaring the thermals high in the sky; the speed of a diving peregrine off a cliff or a tern or gannet into deep water; the flash of blurred green of a flock of musk lorikeets in full flight; the amazing aeronautical displays of huge flocks of budgerigars in the desert or starlings on dusk (see: https://video.nationalgeographic.com/video/short-film-showcase/flight-of-the-starlings-watch-this-eerie-but-beautiful-phenomenon); the incessant beat of wings of hummingbirds as they sip the nectar of flowers; the crazy chase of disturbed emus, the cute slow gangly waddle of penguins or puffins; the jaunty busy hop of bowerbirds… all these amaze me and fill me with awe! Even, and especially, that huge leap of faith, when a baby bird first learns to fly!BlogSummer GardenReszd20%2017-02-09 17.40.31.jpg Below in order: a Frigatebird; three pelicans; a Black-Necked Stork (Jabiru) and a White-Bellied Sea Eagle.BlogLoveBirds25%IMG_3989BlogLoveBirds25%IMG_5695BlogLoveBirds25%IMG_4549BlogLoveBirds25%IMG_5758As do their migratory habits and patterns. The notion of a world without borders or passports is also very attractive to many humans, as exemplified in the films: Fly Away Home (http://www.imdb.com/title/tt0116329/). The distances travelled are mind-blowing! The Bird Airport at Shoalhaven Heads is very illuminating on the subject and is well worth a visit. I love this flying bird sculpture overlooking Corio Bay at Geelong, Victoria.BlogLoveBirds50%IMG_4277 BlogLoveBirds2514-03-12 16.36.07The Spine-Tailed Swifts, which speckled the Summer skies at Dorrigo, flew all the way from Eastern Siberia and Northern Asia, up to10 000 km away, and we would often see long, long, black clouds on the horizon, just above seawater level, of migratory Short-Tailed Shearwaters, some of whom would not make it, their exhausted carcasses washed up on the seashore.

The highly-endangered Orange-Bellied Parrot flies from Tasmania to Geelong across the wild Bass Strait every year to feed on the samphire wetlands in Winter. The effect on bird life and migratory birds in particular, is my only reservation about wind turbines, especially on our coastline.

When we lived in Geelong, we loved visiting the Cheetham Wetlands and the Point Cook Coastal Park, a 500 hectare site on the western outskirts of Melbourne, including a 300 hectare marine sanctuary, which has been designated an Area of Importance by the Ramsar Convention of Wetlands. There have been over 200 species of birds recorded, including 34 migratory species. Every year, with peak numbers between September and March. thousands of migratory birds, from as far away as Siberia, Alaska and Japan, to feed upon the saltmarsh and wetlands here. I loved the photo below of The Tower, Bill Kelly’s Monument to Migration and Aspirations, with Melbourne, a city representing the ultimate expression of that dream with over 200 nationalities, in the background. BlogLoveBirds50%late may 2011 288BlogLoveBirds50%late may 2011 291Migration patterns are definitely changing with climate change, with many birds now over-Wintering in previously cooler areas or not travelling as far.

However, despite the fact that some birds will be driven to extinction, birds are the ultimate survivors. They are brilliant at camouflage and adapt readily to new environments, climates and different food sources. They have incorporated feral weeds like privet and duranta into their diet and have incredibly finely-tuned senses when it comes to water eg their sudden appearance when the salt Lake Eyre fills with water. Here is a final photo of The Tower, described above:

BlogLoveBirds50%late may 2011 290

I hope this post has given you an excellent idea of the reasons I love birds so much, as well as being a good introduction to the 2018 monthly posts on some of my favourite birds. Here is a general guide to the monthly roundup this year :

January: Cockatoos and Parrots: Sulphur-Crested, Blacks, Gang Gang, Corella, Galah, King, Crimson, Eastern, Rainbow, Musk, Cockatiels and Budgerigars;

February: Sea Birds: Gulls, Terns, Gannets, Oyster Catchers, Plovers and Dotterels, Turnstones, Stilts, Darters and Cormorants, Pelicans, Osprey and Sea Eagles;

March: Water Birds: Swans, Geese, Ducks, Grebes, Swamp Hens, Coots, Jacanas, Rails, Kookaburras, Kingfishers, Bee-Eaters, Dollar birds, Spoonbills, Ibis, Egrets, Herons, Brolgas and Cranes;

April: Birds of Prey: Eagles, Hawks, Goshawks, Falcons, Kites, and Kestrels;

May: Large Birds: Emus, Cassowaries, Scrub Turkeys, Coucals, Bustards and Stone Curlews

June: Medium-Sized Neutral-Coloured Birds: Magpies, Peewees, Crows, Ravens, Currawongs, Blackbirds, Thrushes, Butcherbirds, Drongoes, Choughs and Apostle Birds;

July: Rainforest Birds: Bowerbirds and Cat Birds, Rifle Birds, Fig Birds, Pittas and Chowchillas;

August: Clever Birds: Owls, Frogmouths and Cuckoos;

September: Small Birds: Robins, Wrens, Finches, Silvereyes, Thornbills and other SBBs, Pardalotes, Flycatchers and Fantails, Treecreepers, Chats, Mistletoe Birds, Swallows and Swifts;

October: Nectar Eaters: Honeyeaters, Spinebills, Wattlebirds and Friar Birds;

November: Song Birds: Lyrebirds, Whip Birds, Bell Birds and Whistlers;

December: Doves and Pigeons: Wonga, Brown, White, Topknot and Crested Pigeons; Fruit Doves; Peaceful Doves and Quails.BlogLoveBirds50%october 2011 305I have set the scene to one of my favourite Christmas songs, ‘The Twelve Days of Christmas’, starting with the refrain ‘On the first day of Christmas, my true love sent to me a Cockatoo in a Gum Tree!’

Posts will concentrate more on my personal experiences with these birds, with a few interesting or random facts thrown in, rather than detailed descriptions of appearance, call, behaviour, nesting, distribution etc, which can be gleaned from any good bird book. I hope you enjoy these bird posts!

Please Note: A Change of Plans!          23rd January 2018 

Unfortunately, due to the appropriation of both my bird posts by a larger collective site without my prior consent or crediting me (in fact claiming authorship as their own!), there will be no more bird posts for the time being, although I will still be continuing on with my normal posts.

Musings on Poetry Part Three: Australian Poetry and Nonsense Verse

Finally, a look at specific genres of poetry: Australian Poetry and Nonsense Verse.

Australian Poetry

We have two books of Australian poetry: a general tome and one devoted entirely to the poems of Banjo Paterson. As in Parts One and Two, remember that many of the poems mentioned can be accessed online through sites like:

https://www.poetryfoundation.org/poems;

https://allpoetry.com;

https://www.poets.org;  and

https://www.poemhunter.com.

The Illustrated Treasury of Australian Verse, chosen by Beatrice Davis 1984/ 1986

We are very lucky here in Australia to have had some wonderful poets from the anonymous songs of convict times to Dorothea Mackellar, Mary Gilmore, Henry Lawson, Henry Kendall, AB Paterson (Banjo Paterson), PJ Hartigan and CJ Dennis, as well as the more modern offerings of Kenneth Slessor, Ian Mudie, Douglas Stewart, Judith Wright, James McAuley and Max Harris, Randolph Stow and Les Murray. Here are some of my favourites:

Anonymous verses: The Wild Colonial Boy; The Dying Stockman; and Click Go the Shears, Boys;

Henry Kendall (1839-1892): Bellbirds;

Thomas E Spencer (1845-1910): How McDougal Topped the Score, a wonderful poem about our national game, cricket;

Jack Moses (1860-1945): Nine Miles From Gundagai, about the famous dog on the tuckerbox. See: https://www.tripsavvy.com/the-dog-on-the-tuckerbox-1464302  for the full story!;

AB Paterson (1864-1941), who wrote so many famous poems. See below for more details.

Mary Gilmore (1865-1962): Old Botany Bay;

Henry Lawson (1867-1922): Ballad of the Drover; and Andy’s Gone with Cattle;

CJ Dennis (1876-1938): The Intro (‘Er name’s Doreen) and The Play (‘Wot’s in a name) from The Songs of a Sentimental Bloke; and Country Fellows;

PJ Hartigan (1879-1952): Said Hanrahan: A wonderful poem about the pessimistic attitude of some farmers towards the Australian weather with all it’s extremes, ‘We’ll all be rooned’, said Hanrahan..! My brother-in-law knew it by heart and recited it spontaneously off the top of his head at our wedding reception in 1983, which had been moved indoors onto the verandah of our old homestead at the last minute after unseasonal rain and flooding! It made the day!;

Dorothea Mackellar (1885-1968): My Country, known by every schoolchild across the country and generations for its famous line: ‘I love a sunburnt country’ at the start of the second stanza. In fact, most Australians would be able to recite just that particular stanza:

I love a sunburnt country,

A land of sweeping plains,

Of ragged mountain ranges,

Of droughts and flooding rains.

I love her far horizons,

I love her jewel sea,

Her beauty and her terror-

The wide brown land for me!

So evocative of our wide brown landscape with all its vagaries of weather and so so Australian!;

Kenneth Slessor (1901-1971): Five Bells; and his mesmerizing poem, Sleep (Do you give yourself to me utterly, Body and no-body, flesh and no-flesh, Not as a fugitive, blindly or bitterly, But as a child might, with no other wish? Yes, utterly);

Douglas Stewart (1913-1985): Brindabella; and Lady Feeding the Cats. He also wrote a verse play called The Fire on the Snow about the doomed Terra Nova expedition to Antarctica by Robert Falcon Scott 1941;

Judith Wright (1913-2000): Magpies; and Woman’s Song;

John Manifold (1915-1985): The Bunyip And The Whistling Kettle;

James MacAuley (1917-1976): Pastoral; Magpie; Spider on the Snow; and Canticle. James MacAuley was one of the two young poets (the other being Harold Stewart), who were the names behind the Ern Malley hoax, played by AD Hope on Max Harris (1921-1995), the founder of the modernist literary journal, the Angry Penguins. Max was also a poet himself, writing The Tantanoola Tiger, which is also in this treasury;

Randolph Stow (1935-2010): The Ghost at Anlaby. I have only just read this poem and its images and word inventions, reminiscent of Dylan Thomas, like ‘antwaisted, hamsleeved, bellskirted ladies’ and ‘Rosella-plumed sun’ greatly appeal. I studied his novel, The Merry-go-round In the Sea 1965 at school and absolutely loved it. It revolves around a young boy’s coming-of-age in Geraldton, Western Australia. I love reading books about places I know well (though having not visited Geraldton or WA before 2008, it’s more about Australia in this case!) and I particularly loved his descriptions of the beach, the local town and Mrs Maplestead’s old homestead and garden, where Rick’s widowed grandmother and maiden Aunt Kay lived, reminding me so much of old country properties and families, like that of my husband – the Stephens of Cedar Glen; and

Les Murray (1938-): Les has published over 30 volumes of poetry and has been rated by the National Trust of Australia as ‘one of the 100 Australian Living Treasures’! This book includes: The Broad Bean Sermon; Rainwater Tank; and The Future, all areas to which the ordinary Australian can relate!

Complementing the poems are some beautiful artworks and black-and-white photographs and illustrations throughout the treasury, reason enough to buy the book, and at the back are biographies of the poets featured.BlogPoetryBooksReszd30%Image (704)

AB ‘Banjo’ Paterson’s Collected Verse: With the Original Illustrations of Norman Lindsay, Hal Gye and Lionel Lindsay 1921/ 1984

Immortalising so much of bush life in Australia in his lengthy poems, it is worth owning a separate copy of all the prolific outpourings of this amazing poet! Andrew Barton Paterson (1864-1941) was an Australian bush poet, journalist and author, who wrote numerous ballads and poems about Australian life, especially rural areas and the outback. Some of my favourite classics are:

The Man From Snowy River, whose first half I have learnt and can quote with the odd mistake!

Clancy of the Overflow, another famous poem, which I have learnt by heart and which typifies the yearning for the bush, when trapped in a ‘dingy little office, where a stingy ray of sunlight struggles feebly down between the houses tall, And the foetid air and gritty of the dusty, dirty city, Through the open window floating, spreads its foulness over all’; A terrific poem! His poems are so humorous and celebrate the ocker from:

The Geebung Polo Club; The Man From Ironbark; Johnson’s Antidote; A Bush Christening; and

Mulga Bill’s Bicycle; and, then there is, of course, Australia’s unofficial and much-loved bush anthem:

Waltzing Matilda (1895):

While many people struggle beyond the first verse of our official Australian anthem, Advance Australia Fair , written by Peter Dodds McCormick in 1878 and replacing ‘God Save the Queen‘ in 1984, most do know and can even possibly recite this wonderful iconic poem!

Based on the story of Samuel Hoffmeister, a shearer, who was part of a strike at Dagworth Station in 1894, three years after the Great Shearers’ Strike in Queensland, which almost brought the colony to civil war and was only resolved when the army stepped in. After the situation turned violent with the burning of a woolshed, killing a large number of sheep in the process, the owner of Dagworth Station and three policemen gave chase to Hoffmeister, who, rather than be captured, shot and killed himself at Combo Waterhole, near Winton.

Banjo Paterson stayed at Dagworth Station in January 1895, when he penned the words, the poem being set to music, played on a zither by Christina Macpherson, one of the family members at the station. It was based on her remembered rendition of the Craigielea March 1890, which itself is based on a Scottish Celtic folk tune, Thou Bonny Wood of Craigielea 1806.BlogPoetryBooksReszd30%Image (722)

Nonsense Verse

Another specific genre of poetry and a particular love of mine with its humorous play on words and its imagination and creativity and just plain fun! Defined as: ‘humorous or whimsical verse that differs from other comic verse in its resistance to any rational or allegorical interpretation’ by the Encyclopaedia Brittanica, it often uses coined, meaningless words and strong prosodic elements like rhythm and rhyme. Often written for children, it is an ideal way to finish off this post and come full circle!

Limericks are the best known form of nonsense verse, but some poets have turned it into an art-form, including Edward Lear, Lewis Carroll, Mervyn Peake, Edward Gorey, Ogden Nash, Dr Seuss, Spike Milligan, Roald Dahl and even our own Leunig, who features in: https://candeloblooms.com/2017/11/09/the-wonderful-world-of-art-part-two-post-1900s/.

Here are some of my favourites:

Edward Lear (1812-1888)

: Edward Lear’s Nonsense Songs 1953: Includes The Owl and The Pussy-Cat, one of my favourite children’s poems; The Jumblies (They went to sea in a sieve, they did, In a sieve they went to sea.); The Dong With a Luminous Nose; The Pobble Who Has No Toes; and the delightfully-titled and quirky poem, The Quangle Wangle’s Hat. I love Edward Lear’s original simple illustrations, accompanying his verse.BlogPoetryBooksReszd30%Image (723)

Other nonsense poems, which I love, but do not own are:

Lewis Carroll 1832-1898:  

Jabberwocky , whose brilliant first verse typifies this genre with its nonsensical words

: ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe:All mimsy were the borogoves, And the mome raths outgrabe’  and

The Hunting of the Snark: An Agony in Eight Fits 1876, described as the longest and best sustained nonsense poem in the English language. It also cleverly contained an acrostic on the name of his then-favourite child friend, Gertrude Chataway, whose name is also found in the first words of each stanza of the poem: Girt, Rude, Chat, Away.

Lewis Carroll’s verse can be appreciated in his famous children’s novel, Alice in Wonderland. I have two copies: A fragile small hardback from 1899 (first photo); and my childhood copy from 1965 (second photo). It is interesting comparing the illustrations at the front.

BlogPoetryBooksReszd30%Image (725)BlogPoetryBooksReszd30%Image (731) Another difference is the poem at the very front of the 1899 book, which is absent in the later copy.BlogPoetryBooksReszd30%Image (726)BlogPoetryBooksReszd40%Image (727)

Here are some of his classic verses throughout the book, which will be very familiar to past readers and display Lewis Carroll’s complete mastery of nonsense verse.

BlogPoetryBooksReszd40%Image (728)BlogPoetryBooksReszd50%Image (729)BlogPoetryBooksReszd50%Image (730)Image (732)Hilaire Belloc (1870-1953) is remembered for his The Bad Child’s Book of Beasts 1896 (https://ebooks.adelaide.edu.au/b/belloc/hilaire/bad/ ) and Cautionary Tales 1907, which can be accessed at: http://www.gutenberg.org/files/27424/27424-h/27424-h.htm.

Even though this is a modern book, Christopher Matthews only being born in 1939, because his book is a send-up of AA Milne (1882-1926), I am including it here:

Now We Are Sixty by Christopher Matthew 1999 A gift for my husband’s 60th birthday in 2007, this amusing book, written in rhyme, sends up AA Milne’s Now We Are Six for an audience reared on this famous book! There are some very funny poems with titles like: Let’s All Go Mad (after Buckingham Palace), the first line being ‘They’re changing sex at Buckingham Palace’. Definitely NOT a children’s book! Or Cutting Edge, based on Happiness:

Tom had a

Brand New

Personal Computer;

Tom was

Plugged

On the

Internet; Tom had

The Works.

But was

Techno-illiterate,

And that

Was pretty

Much

That.

I also loved Insomnia, modelled on In the Dark: ‘I’ve been to dinner, And over-eaten, And drunk a brandy or three; I’ve taken a couple of Alka-Seltzer, And had a jolly good pee’. Like the children’s version, it’s content is perfect for its target audience. There are just so many witty poems that it really is worth purchasing a copy for any nearest and dearest approaching that magic age! And no, I don’t think you can find them online just yet!

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TS Eliot (1888-1965)

Nonsense verse can also includes light verse like Old Possum’s Book of Practical Cats by TS Eliot, a collection of whimsical poems about feline psychology and sociology, and which was later adapted to the musical Cats, composed by Andrew Lloyd Webber. It contains classics like The Rum Tum Tugger; The Song of the Jellicles; Mungojerrie and Rumpelteazer; Old Deuteronomy; (The Magical)Mr Mistoffelees; Macavity: The Mystery Cat; and Skimbleshanks: The Railway Cat.BlogPoetryBooksReszd40%Image (723)

Ogden Nash (1902-1971) had some wonderful nonsense verse. For example,

A Word to Husbands

To keep your marriage brimming
With love in the loving cup,
Whenever you’re wrong, admit it;
Whenever you’re right, shut up.            And

A Flea and a Fly in a Flue

A flea and a fly in a flue
Were imprisoned, so what could they do?
Said the fly, “let us flee!”
“Let us fly!” said the flea.
So they flew through a flaw in the flue.

Dr Seuss (1904-1991)

We were all raised on the books of Dr Seuss (Theodor Seuss Geisel), in turn raising our own kids on them. He is still popular today. Here is our well-thumbed battered copy of one of his famous books:

BlogPoetryBooksReszd30%Image (733) - Copy

Who does not love: Horton Hear a Who 1954; the topical How the Grinch Stole Christmas 1957; The Cat in the Hat 1957 and The Cat in the Hat Comes Back 1958; Green Eggs and Ham 1960; One Fish Tow Fish Red Fish Blue Fish 1960; Fox in Socks 1965; The Lorax 1971; and Oh, The Places You Will Go 1990, a gift from friends on our departure from the family property and the start of our big adventure called Life. I love the introductory lines:

‘Congratulations! Today is your day. You’re off to Great Places! You’re off and away!’

BlogPoetryBooksReszd30%Image (735)

For more, see: http://www.drseussart.com/.

It even spawned a delightful book, written in a very similar style by Marion Holland  (1908-1989), called A Big Ball of String  1958, one of my son’s favourite childhood books.BlogPoetryBooksReszd30%Image (734)

Spike Milligan (1918-2002)

: Silly Verse for Kids 1959. It includes the delightfully-titled On the Ning Nang Nong: ‘On the Ning Nang Nong, Where the cows go Bong, And the monkeys all say Boo! There’s a Nong-Nang-Ning, Where the trees go Ping! And the teapots jibber jabber joo‘. It definitely has a ring to it and was one of the most popular songs on Play School. See: https://www.youtube.com/watch?v=3SUU1f3Mgpc. To see Spike Milligan reading his poem, see: https://www.youtube.com/watch?v=0Wom1OzwzLw.

Another verse in this book is the delightful Lady B’s Fleas:

Lady Barnaby takes her ease
Knitting over coats for fleas
By this kindness fleas are smitten
that’s why she’s very rarely bitten.

For more, see: https://www.poemhunter.com/spike-milligan/ and http://www.musingsbylizzytish.com/cn/silly-verse-for-kids.htm.

There is a very fine line between nonsense verse and children’s books, and while the next two books from my childrens’ childhoods could have fit easily into Tuesday’s post on Children’s Poetry, I have included them here, as they represent both Australian Verse AND Nonsense Verse! Plus, I used to love reading both of them out loud to the kids. As with children’s film, especially animated films, if a book can entertain both children and their parents alike, then in my book, it is a very successful production!

My Grandma Lived in Gooligulch by Graeme Base 1983

Illustrated and written by Graeme Base (1958-), this lovely chidren’s story is totally written in rhyme and introduces young readers to the Australian bush and life outback, as well as some of our wonderful Australian place-names, animals and birds.BlogPoetryBooksReszd25%Image (737)

Wombat Stew by Marcia K Vaughan 1984

I adored this book. It has such a terrific rollicking verse, especially the chorus, which goes: ‘Wombat Stew, Wombat stew, Gooey, brewy, Yummy, chewy, Wombat stew!’ There is lots of repetition and the illustrations by Pamela Lofts are terrific! There is even a musical score for the chorus at the end.BlogPoetryBooksReszd25%Image (738)

Roald Dahl (1916-1990)

Roald Dahl was a favourite with my children and not only wrote brilliant books, but while researching this post, I discovered that he was also was a gifted comic poet, writing 27 poems. Try this send up for example:

Mary, Mary, quite contrary

Mary, Mary, quite contrary
How does your garden grow?
“I live with my brat in a high-rise flat,
So how in the world would I know.”

I also enjoyed his versions of The Three Little Pigs and Little Red Riding Hood and the Wolf. See: https://www.roalddahlfans.com/dahls-work/poems/. I would love to read his poem, Where Art Thou, Mother Christmas?, which was published as a charity Christmas card to benefit the Great Ormond Street Children’s Hospital in England. In it, he wonders why we never hear of Mother Christmas, who probably buys and wraps all the gifts , while Father Christmas takes all the credit: ‘Down with Father Christmas, that unmitigated jerk!’

And now, because it IS Christmas, I will finish with the old favourite traditional Christmas poem:

‘Twas The Night Before Christmas by Clement Clark Moore

‘Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled down for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;

“Now, DASHER! now, DANCER! now, PRANCER and VIXEN!
On, COMET! on CUPID! on, DONDER and BLITZEN!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of toys, and St. Nicholas too.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.

His eyes — how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL, AND TO ALL A GOOD-NIGHT!

Wishing you all a Very Safe and Happy Christmas and a Wonderful New Year! Much Love, Jane xxx

The Wonderful World Of Art: Part Two: Post 1900s

On Tuesday, we explored the beautiful art books concerning artists of the period before the 1900s. This post continues our journey into the wonderful world of art through books about the artists of the Twentieth Century.

Even though the next four artists were born in the mid 1870s and 1880s, they came into their own over the turn of the century, a time of great excitement and hope for the future, when photography was in its infancy and Australia became a nation, achieving their peak fame in  the 1920s. They include: Australian printmaker, Margaret Preston (1875-1963); photographer, Harold Cazneaux (1878-1953), and painter, Elioth Gruner (1882-1939), both of whom were born in New Zealand, but grew up in Australia and  Australian artist, Hilda Rix Nicholas (1884-1961).

Margaret Preston by Elizabeth Butel 1985/ 1995

Well-known for her still life paintings and woodcuts of Australian flora and fauna and one of Australia’s leading Modernists of the early 20th century, Margaret was the most prominent Australian woman artist of the 1920s and 1930s, during which time her designs were used in painting and printmaking, as well as interior decoration, fabric design and even floral arrangements. The cover shows her Self-Portrait 1930.BlogArtBooksReszd30%Image (686)Studying in Munich and Paris, and travelling in Italy, Spain and Holland, between 1903 and 1919,  Margaret was heavily influenced by Japanese art and the Post-Impressionism, Fauvism and Cubism movements of the time. She also attended Roger Fry’s Omega workshops in decorative art in Britain during the First World War. Below is a photo of her, taken in 1930, by my next artist, Harold Cazneaux, titled: Margaret Preston in the Garden, from page 43 of this book.

BlogArtBooksReszd4017-07-30 13.37.02Her works display a love of asymmetry; pattern as a dominant element of design; simplified composition, where natural patterns are so closely observed that they can be broken down into discrete units, as seen in the photo below of The Brown Pot 1940 from page 57; a degree of primitivism; and a great appreciation and love of Australian flora and fauna, as well as the small things of life. BlogArtBooksReszd2517-07-30 13.37.14 Her earlier works show an emotive and sensual use of colour, as seen in the photo below of her hand-coloured woodcut Anemones 1925, from page 32 of the book:BlogArtBooksReszd2517-07-30 13.36.31 but as she progressed, she adopted a more restricted colour range, with a major emphasis on blue and a graphic use of black and white, as shown by this photo of one of my favourite oils: Implement Blue 1927, from page 38:BlogArtBooksReszd3017-07-30 13.36.45This detailed book discusses her early life and the three major phases in her work: the periods from1875 to 1920; 1920 to 1930; and 1924 to 1963; accompanied by a comprehensive bibliography of all her works; newspaper and journal articles; and books and monographs, as well as a catalogue of all her oil paintings; prints (etchings; woodcuts; masonite cuts; screen prints; stencils; and monotypes); fabric designs; ceramics and wood blocks. Here is a photo of one of her works on the cover of the October 1926 issue of magazine, Woman’s World, from p 42:BlogArtBooksReszd20%IMG_0027We feel very lucky to have one of her framed prints,  a hand-coloured woodcut, titled Christmas Bells 1925.BlogArtBooksReszd5017-07-30 13.40.18 For more information  on Margaret Preston, see: http://www.margaretpreston.info/ and https://www.artgallery.nsw.gov.au/collection/works/?artist_id=preston-margaret.

The Cazneaux Women by Valerie Hill 2000

Another lovely book featuring the monochromatic works of early Australian photographer, Harold Cazneaux (1878-1953) , with their beautiful women subjects , romantic compositions and a wonderful use of light and shade. The book cover features his photo of British artist and theatre designer, Doris Zinkeisen with Her Brushes 1929.BlogArtBooksReszd25%Image (683)

I have always loved black-and-white photographs for their focus on design and composition, line and structure (form and shape), pattern and texture, contrast and tonal variations and the play of light and shadow, without the distraction of colour. These elements are superbly illustrated in the dramatic work of contemporary German photographer, Maik Lipp: See http://www.huffingtonpost.com/2013/10/01/maik-lipp_n_4019302.html.

While it was the only medium in Cazneaux’s day, when used today, it also lends a timeless or vintage aesthetic to the work, as can be seen in the work featured on this website: https://www.smashingmagazine.com/2008/06/beautiful-black-and-white-photography/, although I still think the subject matter and treatment plays a big part of it too.  Compare the previous two links with  the work of Imogen Cunningham: https://www.imogencunningham.com and Endre Balogh at: http://www.endresphotos.com.

But back to Harold Cazneaux!

While Cazneaux also photographed historic cityscapes, and industrial and landscape aspects, this particular book is devoted to 36 plates of Cazneaux’s women – his wife Winifred and small daughters, Rainbow, Jean and Beryl, as well as stylish portraits of well-known women in the 1920s and 1930s including artist, Margaret Preston, writers Ethel Turner and Theo Proctor, performers, Dame Nellie Melba and Anna Pavlova; and a large number of Sydney social belles. I adore this photo: Bathing Baby 1909 from p 50:BlogArtBooksReszd2017-07-30 13.38.14The plates show the developments in camera art,  as well as women’s fashions and the changing role of women, from the formally posed wet plate images of the 1870s (and earlier albumen prints), through the Pictorial period to the start of Modernism, where Max Dupain and Olive Cotton (see later) made their mark. Here is another favourite photograph by Harold Cazneaux: The Sleeping Child 1914 from page 64.BlogArtBooksReszd2517-07-30 13.38.37We also learn about Harold’s life, his relationships with women and his artistic influences from his parents, Pierce and Emma, both early photographers; stepmother Christina, who nurtured his talent; his wife, Winifred, who trained at the first photographic studio, where he worked; John Kauffmann, who introduced Pictorialism to Australia, and the Sydney Camera Circle of the early 1920s. Harold’s photograph, Rainbow in the Cosmos 1916, from page 62, is delightful!

BlogArtBooksReszd2017-07-30 13.38.30

His photograph Pergola Pattern 1931, from page 100 shows such a superb mastery of composition, pattern and contrast and the play of light and shadow!BlogArtBooksReszd2517-07-30 13.39.30

The Cazneaux Collection, containing 272 exhibition prints; 200 working photographs and 4300 glass negatives, mainly from 1904 – 1940, as well as his personal papers and letters from 1903 – 1953, is held at the National Library of Australia: See: https://www.nla.gov.au/selected-library-collections/harold-cazneaux-collection.

BlogArtBooksReszd25%IMG_0023I loved the background of the these two photographs: Doris Zinkeisen: New Ideas Portrait with Leaf Background 1929 from page 91 (above); and A Study in Profile 1931 from p 104:BlogArtBooksReszd20%IMG_0025There are also significant collections of his photographs at the National Gallery of Australia in Canberra, and the Mitchell Library and Art Gallery of New South Wales in Sydney. See: https://www.artgallery.nsw.gov.au/collection/works/?artist_id=cazneaux-harold.

The Art of Elioth Gruner: The Texture of Light by Deborah Clark 2014BlogArtBooksReszd25%Image (689)

This cover features Elioth Gruner’s oil painting, titled Thunderstorm 1928.

Elioth Gruner (1882 – 1939 ) was also a master of light and shade, as seen in his very famous painting, displayed in the Art Gallery Of New South Wales: Spring Frost 1919, which introduced me to his work, seen in the poster below. The shafts of sunlight and the steam rising from the bellowing dairy cows can probably be better appreciated by viewing this link: https://www.artgallery.nsw.gov.au/collection/works/6925/.BlogArtBooksReszd2017-07-30 13.48.48We were also lucky enough to attend an exhibition of his work, Elioth Gruner: The Texture of Light, at the Canberra Museum and Gallery in 2014, many of his landscapes painted en plein air from the Sydney to the South Coast of New South Wales, including Cooma and the Monaro; the Canberra region, Yass and the Murrumbidgee River valley and the Southern Highlands, all part of our new home! Is it any wonder that we brought the book based on the exhibition home with us!!BlogArtBooksReszd20%IMG_0032There is even a painting of our old stamping grounds in Northern New South Wales with his painting Shelley Beach, Nambucca Heads 1933 (photo above from page 86), and Winter Afternoon, Bellingen, NSW 1937 , the latter held by our old home art gallery NERAM , which also owns his paintings: Beach Idyll 1934 and The Beach 1918, another personal favourite (seen in the photo below from page 21 of the book)!BlogArtBooksReszd2017-07-30 13.55.28I adore his landscapes depicting pastoral life and the rural homesteads of the period, like Manar, a large cattle and sheep property between Bungendore and Braidwood, seen here in his oil painting, Manar Landscape 1928, the first photo below from page 52 of the book and Autumn, Manar 1939, 2nd photo below, from page 53.BlogArtBooksReszd25%IMG_0028He was obviously very popular in his day, enjoying the support of both conservative and progressive elements of the Sydney art scene, as well as winning the Wynne Prize for landscape painting seven times between 1916 and 1937.BlogArtBooksReszd25%IMG_0031 It was wonderful to see his paintings so closeup, to examine and admire his techniques for reproducing light and shadows, using short, choppy brush strokes and different tones of greens, as exemplified by Morning Light 1916, his first painting to win this award, shown in the photo above from page 26. Spring Frost 1919 was his second Wynne Prize.BlogArtBooksReszd2017-07-30 14.06.21Hilda Rix Nicholas: The Man For the Job by the Bendigo Art Gallery 2010

We were also very fortunate to see an exhibition at the Bendigo Art Gallery in 2010 of the works of Australian artist, Hilda Rix Nicholas (1884-1961), who also came to fame in the 1920s, the second Australian artist after Rupert Bunny (who I discussed in the first part of this post last Tuesday) and the first woman to have a solo exhibition in Paris in 1925.BlogArtBooksReszd25%Image (690)

She too painted many lovely paintings of life in rural Australia, especially her family property, run by her second husband, Edgar Wright, at Knockalong near Delegate, on the Southern Monaro. I love this painting of His Land 1922-1923 from page 30.BlogArtBooksReszd2017-07-30 14.34.14 Other favourites are:  In the Bush 1927, from page 41; BlogArtBooksReszd2017-07-30 14.35.04 Bringing in the Sheep 1936, held by our local art gallery, Bega Valley Regional Gallery, shown on page 54 of the book;

BlogArtBooksReszd2017-07-30 14.35.43 and The Homestead of Tooraloo 1945 from page 60.BlogArtBooksReszd2017-07-30 14.36.05The book also chronicles her brilliant early career, from 1907 to 1918, in France, Morocco and Italy, marred by the desperate loss of her travel companions, her sister and mother, from illness and the untimely death of her new husband of six weeks on the Western Front in the First World War. For more about Hilda Rix Nicholas, see: http://knockalong.com/?page_id=664.

No discussion of the art world of the 1920s is complete without reference to the Bloomsbury Group, the subject of the next two books:

Charleston: A Bloomsbury House & Garden by Quentin Bell and Virginia Nicholson 1997

The Bloomsbury Group was a very famous name in the British art world, and while most of its members were born in the 1880s, their main flowering came during the 1920s after their move to Charleston in 1916 to escape the horrors of the First World War.BlogArtBooksReszd25%Image (696)

This lovely book is an ode to Charleston and all its inhabitants: Vanessa Bell and her husband, Clive (temporarily),  their sons Julian and Quentin, the co-author of this book; Vanessa’s lovers, Roger Fry and Duncan Grant, to whom she bore a daughter, Angelica; David Garnett, Duncan’s homosexual lover, and Clive’s lover, Mary Hutchinson, as well as other members of the Bloomsbury Group: Vanessa’s sister, Virginia Woolf, and husband, Leonard, who lived nearby; Lytton Strachey; Desmond MacCarthy; EM Forster and Maynard Keynes, not to mention chief cook and housekeeper, Grace Higgins.

Starting with a map of the garden and ground plans of each storey of the house and an  introduction with its highly appropriate title: A Vanished World, a chapter devoted to Charleston’s golden age from 1925 to 1937, which was shattered by the death of Vanessa’s son, Julian in the Spanish Civil War, just before the Second World War.

Through the following chapters featuring each room : Clive Bell’s study and bedroom; Vanessa’s bedroom; the spare bedroom; and those of Maynard Keynes and Duncan Grant; the green bathroom; the dining room and kitchen; the library; the studios; the garden room and finally the beautiful garden, Angelica’s ‘earthly paradise’, including the productive Walled Garden and numerous old photographs, we get to know all about their unconventional lives and their art.

It is backed up by the following small paperback:

Charleston: Past and Present  by Quentin Bell, Angelica Garnett, Henrietta Garnet and Richard Shone 1987/ 1993

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This official guide to Charleston also describes the contents of each room, and includes essays on Life at Charleston, including personal letters and memoirs, like the childhood memories of the garden, written by Quentin Bell; and the memoirs of Vanessa’s daughter Angelica and her daughter Henrietta, who recalls her grandmother, ‘Nessa’. It is possible to still visit Charleston. See: https://www.charleston.org.uk/ for details of opening times.

1930 to 1960s

The Boyds by Brenda Niall 2002/ 2007

The Boyd family is a very famous artistic dynasty in Australia, founded by Emma Minnie à Beckett (1858-1936) and her husband Arthur Merric Boyd (1862-1940), whose children also pursued art: William Merric (1888-1959) became a potter; Theodore Penleigh (1890-1923); and Helen à Beckett (1903-1999) were both painters and son, Martin à Beckett (1893-1972) became a writer.

William married a painter, Doris Gough, and raised five talented artists: a potter, Lucy (1916 -2009); sculptor, Guy (1923-1988); and three painters: Arthur (1920-1999); David (1924-2011); and Mary (1926-2017).

They in turn have raised artists like Lucy’s potter son, Robert; Guy’s sculptor daughters, Lenore, Sally and Charlotte; Arthur’s children, Polly, Jamie and Lucy; David’s daughters, Amanda, Lucinda and Cassandra; and Mary’s children by her first husband, John Perceval: Matthew, Tessa, Celia and Alice Perceval, as well as musicians and writers.

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In her fascinating book, Brenda Niall traces the family biography from 1840s Melbourne with convict heiress Emma Mills, who married William, the son of Victoria’s first Chief Justice; her daughter, Emma Minnie, and son-in-law, Arthur Merric Boyd; their children, who grew up at Open Country, Murrumbeena, and  Boyd grand-children, all of whom were famous, especially Arthur.

See the Table of Contents of this book at: https://web.archive.org/web/20060618070355/http://www.mup.unimelb.edu.au/catalogue/0-522-84871-0.html.

This book is so well-written and hard to put down and features many photos of the family and their homes, as well as colour-plates of their artworks!

Open Country, now obliterated by Melbourne suburbia, was the meeting place for many prominent Australian artists in the 1940s and 1950s. See : http://www.smh.com.au/entertainment/boyd-familys-murrumbeena-gatherings-a-fount-of-inspiration-for-australian-artists-20141124-11ss2n.html.

Another famous Boyd landmark , which can still be visited, is Arthur Boyd’s property at Bundanon, on the Shoalhaven River, near Nowra, which he bought in 1979 and donated to the Australian people in 1993 and which we visited years ago. It is well worth making the effort to visit, even though opening times are limited and there is a long narrow drive in. It’s wonderful to see his house and studios and the landscape, which inspired him.

It  also includes a huge art collection of over 3 800 items, with more than 1 300 works by Arthur Boyd, over 1 200 works from five generations of the Boyd family dynasty and a number of works by Arthur Boyd’s contemporaries, such as Sidney Nolan, John Perceval, Joy Hester and Charles Blackman, from which regular exhibitions are held,  as well as hosting an artist-in-residence program each year. See: https://bundanon.com.au/ for visiting times.

Olive Cotton by Helen Ennis and the Art Gallery of New South Wales 2000

I love Olive Cotton’s work! Olive Cotton (1911-2003) was one of Australia’s leading twentieth century photographers, whose career spanned six decades from the 1930s to the 1980s. The front cover of the book shows her delightfully titled photograph: Only to Taste the Warmth, the Light, the Wind 1939: BlogArtBooksReszd40%Image (682) This small book, which was produced to accompany an exhibition of her work by the Art Gallery of NSW in 2000,  contains photographs from the 1930s to mid 1940s, when she worked with her first husband, Max Dupain, at his studio in Sydney, as well as work from the 1980s, when she revisited her negatives and her passion for ‘drawing with light’. I love this photograph of a dandelion head, titled: Seedhead 1990 from page 59.BlogArtBooksReszd2517-07-30 17.53.50Her photographs display her great love for nature, as seen in her landscapes and flower studies; her keen observational powers; her wide range of subject matter; her fluidity of style, moving freely between Pictorialism, the style perfected by her predecessor, Harold Cazneaux (see above), and Modernism; and her great love of the photographic medium.

BlogArtBooksReszd2517-07-30 17.55.03Her photographs are so beautiful and almost like paintings eg Interior (My Room) 1933, shown above, from page 13, and Cardboard Design 1935, shown below from page 25:

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I also love Tea Cup Ballet 1935, a different take on the same subject matter of Margaret Preston’s  Implement Blue 1927, shown below, from page 24;BlogArtBooksReszd2517-07-30 17.54.50

Jean-Lorraine By Candlelight 1943, from page 37;

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and The Sleeper 1939, shown below from page 31:

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Margaret Olley by Barry Pearce 1996

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Another famous Australian artist, Margaret Olley (1923-2011) came to fame from the 1950s and 1960s on and is still very popular today. The book cover features one of her early works: Portrait in the Mirror 1948. The photo below is of one of her very famous paintings: Afternoon Interior with Cornflowers 1990, from page 103.BlogArtBooksReszd2017-07-31 11.06.33 I adore her still-lifes and rich, cluttered interiors, full of colour, vases of flowers and vintage objects and furniture. I just love the colours in her painting Chianti Bottle and Pomegranates 1994-1995 (photograph from page 112):BlogArtBooksReszd2017-07-31 11.05.59 This book traces her life, her travels and her work, reproduced in the numerous full colour plates in this lovely book. The mask in the photo below, painted in her Interior IV 1970, page 59 of the book, bears testament to her three trips to Papua New Guinea between 1965 and 1968.

BlogArtBooksReszd2017-07-31 11.07.50 I love the lemons tumbling out of the basket in  Lemons 1964, the photo from page 51. BlogArtBooksReszd2017-07-31 11.08.23 They were such comfortable homey interiors too like Yellow Tablecloth with Cornflowers 1995, photograph taken from page 126 of the book.BlogArtBooksReszd2017-07-31 11.05.27 In fact, I could own any one of her works. They are all so beautiful, as well as probably being very pricey these days! Another favourite for its rich warm colours is Clivias 1984, photograph from page 97 of the book. I just love that kelim!!!BlogArtBooksReszd2017-07-31 11.06.53Fortunately, she left her possessions to the Tweed Regional Gallery at Murwillimbah, so we were able to visit the Margaret Olley Art Centre during our recent trip to Brisbane, a wonderful treat! The first photo below is The Chinese Screen 1994-1995 from page 10, while the last photo is Yellow Room with Lupins II 1994-1995 from page 122.BlogArtBooksReszd2017-07-31 11.08.47 The centre also includes a recreation of key areas of her famous home studio at 48 Duxford Street, Paddington, Sydney : the Hat Factory (living room, dining room and  kitchen) and Yellow Room, all built to scale, with original architectural elements like windows, doors and fireplaces, and over 20 000 items, collected by Margaret over many years as subject matter for her paintings. See: http://artgallery.tweed.nsw.gov.au/VisitUs and http://artgallery.tweed.nsw.gov.au/MargaretOlleyArtCentre.

BlogArtBooksReszd2017-07-31 11.05.17Finally, some books about some contemporary artists among the Baby Boomers, all of whom have a deep affection for Australia and its amazing flora and fauna!

Criss Canning: The Pursuit of Beauty by David Thomas 2008BlogArtBooksReszd25%Image (688)

The book cover above features Still Life with Poppy Cedric Morris 2007.

Criss Canning’s art is very similar in style, talent and subject matter to Margaret Olley. In fact, Margaret Olley was a close friend and supportive mentor and in 1999, Margaret actually bought one of Criss’s paintings : Waratah in a Green Jug 1999, seen below from page 139 in the book and donated it to the Art Gallery of New South Wales.  See: http://www.thecourier.com.au/story/4417688/olleys-living-legacy/ and https://www.artgallery.nsw.gov.au/collection/works/61.2000/.

BlogArtBooksReszd2517-07-31 11.01.42I first discovered Criss Canning, when she visited my garden club in Armidale with her husband David Glenn, of Lambley Nursery fame. See: https://candeloblooms.com/2016/03/08/favourite-gardens-regularly-open-to-the-public-nursery-gardens-in-victoria/.

Her love of native Australian flora can be seen in her painting titled: Winter Banksia 2001 from page 155.BlogArtBooksReszd2517-07-31 11.02.09This beautiful coffee table book was written and published to coincide with her retrospective exhibition at Ballarat Fine Art Gallery in 2007 and it certainly does justice to all her wonderful sumptuous paintings with full page colour plates in glossy paper. Below is another ode to Australian flora: Gum Blossom 1995, photo from page 123.BlogArtBooksReszd2517-07-31 11.01.25David Thomas traces her life from her birth in 1947, exactly one month before my husband (!), and childhood in Laburnum, near Blackburn, a suburb of Melbourne, which was then rural acreage; her struggles as a single mother of two young children; her sojourn on the island of Rhodes in Greece, inspired by Charmaine Clift; her marriage and life with David Glenn in Ascot, near Ballarat, and her later more minimalist works, influenced by  her love of  Japanese artseen in Freesia’s and Japanese Tea Service 1996 from page 175 and the geometric designs of Charles Rennie Mackintosh.BlogArtBooksReszd2017-07-31 11.01.11I adore her beautiful floral studies: their rich colour; bold composition; strong patterns and dramatic contrast and flowing textile backdrops, as can be seen in her paintings titled: Black and White 1999, the first photo below from page 77 and Arthur Merric Boyd Coffee Set 2003, the second photo below from page 160.BlogArtBooksReszd2017-07-31 11.00.52BlogArtBooksReszd20%IMG_0044I love her talented portrayal of metal surfaces and her patterned backgrounds, as seen in the first photo below: Silver Reflections 2003 from page 162 and the silver tray in the second photo below: Native Flowers and Silver Tray 2001 from page 149,BlogArtBooksReszd20%IMG_0045BlogArtBooksReszd2517-07-31 11.01.54As well as her wonderful sense of colour, as seen in Poppies 1987 from page 43.BlogArtBooksReszd25%IMG_0047 To see more of her work, visit her site at: http://crisscanning.com.au/.

Salvatore Zofrea: Days of Summer by Anne Ryan 2009BlogArtBooksReszd25%Image (693)

This lovely book features the work of Salvatore Zoffrea, an Italian-Australian printmaker, who produces beautiful woodcuts of Australian flora and the bush. The book cover features his woodcut: Mountain Devil Grevillea with Eggs and Bacon Pea, Native Iris and Kunzea, while the photo below shows Bowerbirds with Native Irises and Eggs and Bacon Pea from page 43.BlogArtBooksReszd2017-07-31 10.59.57 Like Criss Canning, he was also influenced heavily by Japanese art, especially its traditional Japanese woodcuts, as well as European art. I love his delightful work: Tea Tree with Bronze Pigeon in the photo below, taken from page 39.BlogArtBooksReszd2017-07-31 11.00.06 I love his attention to detail, the busyness of his designs, his use of colour or lack of colour, his sense of wonder at the beauty and abundance of the Australian bush and his underlying message of the importance of conservation and sustainability. The photo below is a closeup of a double page spread, page 62 and 63, featuring his large woodcut, 3 metres long, titled: Bellbirds at Kurrajong, which was made by carving nine blocks of marine plywood and was his artistic response to a local incident at Mandeni, near Merimbula, where a bellbird population was culled due to their destruction of eucalyptus trees. Little did we realize that five years later we would be living in the area!BlogArtBooksReszd2017-07-31 11.00.25 We felt so lucky to see these wonderful prints by chance when passing through Wagga Wagga in 2010. See: http://www.wagga.nsw.gov.au/art-gallery/exhibitions-landing/past-exhibitions/exhibitions-2010/salvatore-zofrea-days-of-summer); http://mrag.org.au/wp-content/uploads/2012/07/ZofreaProposal_sml.pdf and http://mrag.org.au/wp-content/uploads/2012/07/ZofreaEdKit_11_01_10.pdf.

Byron Portfolio: An Artist’s Response to the Byron Shire  by Karen Wynn-Moylan 1989BlogArtBooksReszd25%Image (691)Another environmental artist, whose work I love is Karen Wynn-Moylan, also known as Karena Wynn-Moylan. Her book cover features her watercolour, View From Honeysuckle to Tallows Beach, a familiar scene from coastal holidays in the area many years ago.BlogArtBooksReszd2017-07-31 10.58.11Karen works in a variety of media: watercolours, oils, acrylics and pastels – to record and celebrate the beauty of the unique flora and fauna of her subtropical home environment in the Byron Shire, as well as encourage an appreciation of the environment and the need for conservation. Her love of her local rainforest can be seen in the photo above of her watercolour painting, The Clearing, page 43, while her pastel, Sunsoaked, on page 7, portrays a subject matter typical of the local area!BlogArtBooksReszd2017-07-31 10.59.35 I love The Flowering Beach, a mixed media painting on page 21, the fine dots of colour so typical of the Australian bush.BlogArtBooksReszd2017-07-31 10.59.11 Nasturtiums (Mullumbimby Laneway), labelled The Nasturtians in the book on page 29 and seen in the photo below, reminds me of our holidays at Hat Head with its old-fashioned dirt lane ways, lined with bougainvillea and frangipanis, wooden sheds and garages and leaning wooden fences, trailing with nasturtiums.

BlogArtBooksReszd2017-07-31 10.58.56 For a look at her work, see: http://www.karenawynn-moylan.bravehost.com/.  As a Tasmanian, I really loved her new oil: Summer Above the Snowline: Mt Wellington, at: http://www.karenawynn-moylan.bravehost.com/newwork.html.

The final artist in this post, Michael Leunig, also has much to say about our treatment of the environment, as well as each other, as can be seen in the following book:

The Michael Leunig Collection: Favourite Paintings and Drawings by Michael Leunig 1991BlogArtBooksReszd30%Image (695)Born in 1945, Michael Leunig is a much-loved and well-known cartoonist with delightfully quirky characters, who highlight the absurdities of life, and wonderfully whimsical poetry. The book cover features his well-known cartoon, The Kiss 1985.BlogArtBooksReszd2017-07-31 11.04.10His work is just so much fun and he addresses serious issues with a humorous light-hearted approach, which is very effective, as seen in the photo above of his cartoon, Plastic Shopping Bags in Autumn 1989 from page 22, though we are only just starting to address the issue in 2017! BlogArtBooksReszd2017-07-31 11.03.57I love his characters, Mr Curly and Vasco Pyjama, as well as the small things of life:  his ducks, houses, teapots and angels. The photo above is Mr Curly Comes Home 1973, from page 30, while the colour photograph below is the book cover for The Travelling Leunig, published by Penguin in 1990, and reproduced on page 112 of this book. BlogArtBooksReszd2017-07-31 11.04.58This book is a taster to some of his most famous drawings. We own a number of his books, and his work also appears regularly in the Melbourne Age and the Sydney Morning Herald, as well as a free annual calendar. For more on his work, see: http://www.leunig.com.au/.

I will finish this post  with one of his delightful prayers from his website :

Dear God,

We rejoice and give thanks for earthworms,
bees, ladybirds and broody hens;
for humans tending their gardens, talking to animals,
cleaning their homes and singing to themselves;
for rising of the sap, the fragrance of growth,
the invention of the wheelbarrow and the existence of the teapot,
we give thanks. We celebrate and give thanks.

Amen.

 

 

Alister Clark: Australian Rose Breeder

Alister Clark was one of Australia’s most famous and prolific rose breeders, producing many very well-known and popular roses, well-suited to Australia’s hot dry climate, so I am devoting three posts to him this week: his life (today), Alister Clark Memorial Garden at Bulla (Wednesday), and a few notes about the specific roses he bred (Thursday). Below is a photograph of one of his most famous and popular roses, Lorraine Lee 1924.BlogAlisterClarkReszd2014-10-19 14.56.10Alister Clark was born in 1864 to Walter and Annie Clark of Glenara, Bulla. Walter Clark (1803-1873) was a Scottish immigrant from Argyllshire, who arrived in Australia in 1838, started in the Riverine area of NSW, where he made money out of stock during the gold rush, overlanded stock to Melbourne and then in 1857, he bought 485 acres at Deep Creek, Bulla, where he built a large single storey Italianate house of brick and rendered stone (granite and bluestone), with a hipped slate roof and encircling verandah with open work timber posts and lintels, on an elevated site above Deep Creek Gorge, which he called  ‘Glenara’. See the bottom of this post for more about ‘Glenara’.

The Melbourne architects, Albert Purchas and Charles Swyer, also designed the garden around the house, including a terrace with stone steps, urns and a sundial to the west and an extensive network of paths cut into the rocky outcrops to the south. In 1872, Walter built a rustic wooden bridge across the creek to a romantic stone folly, a bluestone lookout tower, on the opposite hill. He also established a vineyard, being one of the first landowners to grow grapes in the Sunbury region and gradually expanded the property to 4079 acres by his death in 1873 . He was President of the Shire of Bulla, now part of the City of Hume, from 1866 to 1871. Below is Nancy Hayward 1937, an equally famous Alister Clark rose, which is never out of flower.bloghxroses20reszd2014-10-19-13-17-23Alister’s mother, Annie, died when Alister was 1 year old and his father 8 years later, so Alister and his older siblings, brother Walter and 3 sisters, Annie, Jessie and Aggie, were raised by relatives. Alister was educated in Hobart, at Sydney Grammar School (1877-1878) and at the Loretto School in Scotland. He studied Law at Cambridge University (1883-1885), but never practiced, though he was a Justice of Peace. On the boat home to Australia after his graduation, he met Edith (Edie) Rhodes, daughter of wealthy New Zealander, Robert Heaton Rhodes, and married her in Christchurch, New Zealand, on the 7 July 1888. Alister bought the Glenara homestead block (830 acres) from his father’s estate in 1892 and by his death, the property was 1035 acres.

Alsiter and Edie never had any children and lived most of their life at Glenara, where Alister bred roses, daffodils and nerines and pursued his other passions like playing polo, billiards and golf, being a founding member of the Royal Melbourne Golf Club. He frequently visited his good friend, Albert Nash, to play golf on his private golf course in Cranbourne. He added a billiard room to the eastern end of the homestead in 1895. Alister also loved his horses, keeping steeplechasers, draughthorses and ponies at Glenara. He was Master of the local Oaklands Hunt Club and Founding Chairman of the Moonee Pond Racing Club in 1917. The Alister Clark Stakes, named in his honour, are still run at the Autumn race meet at Moonee Ponds every year. Like his father, he was President of the Shire of Bulla in 1896, 1902 and 1908. The rose below is Squatter’s Dream 1923 , named after a racehorse.BlogAlisterClarkReszd2014-10-19 15.13.21Alister was involved in the breeding of a number of new species of daffodils, his best known being Mabel Taylor, which is still grown and used in breeding today and which Alister believed was the first pink daffodil in Australia.  In 1948, he was awarded the Peter Burr Memorial Cup from the Royal Horticultural Society in England, but it was roses for which he became famous!BlogTeasReszd2014-10-19 13.24.37blogadelaidebgreszd20img_9334Alister Clark was one of Australia’s most famous and prolific rose breeders. He bred over 122 (some sources say 138) varieties from 1912 to 1949, using a huge species rose from Burma and the Himalayas, Rosa gigantea (photos above), to create roses specifically suited to Australia’s hot dry climate, one of the first rose breeders to do so on both counts (ie the use of R. gigantea in breeding, as it does not thrive in the cooler climates of Europe, where many of the rose breeders hailed from at that time; and the breeding of roses ideally suited for Australian conditions). They were the most widely planted roses in Australia in the period between the two world wars. See : https://en.wikipedia.org/wiki/List_of_Alister_Clark_roses for a list of Alister Clark roses. Another useful site with photographs is: https://en.wikipedia.org/wiki/Alister_Clark_Memorial_Rose_Garden.

He bred his roses with a number of specific aims in mind…

Firstly, he wanted to produce the first rose to flower all year round. His first generation crosses of R. gigantea were Spring blooming only eg Jessie Clark; Courier; Golden Vision and Tonner’s Fancy; However, he  achieved his aim with second- generation crosses, Lorraine Lee and Nancy Hayward, both bred from Jessie Clark. A bunch of Lorraine Lee (photo below) was shown at every meeting of the National Rose Society for 20 consecutive months.BlogAlisterClarkReszd20%IMG_9113

He also aimed for roses, which performed well in ordinary gardens, rather than show roses, so his roses were very popular with the general public in Australia. An Argus poll in 1937 of 230 varieties of garden roses and 99 different climbing rose types resulted in Lorraine Lee being voted the most popular garden rose, while another of his roses, Black Boy, polled as the most popular climbing rose. While Lorraine Lee, Black Boy and Nancy Hayward (photo below at Werribee Park) are considered to be some of his most successful roses, Alister believed that Sunny South and Gwen Nash were some of his best roses.

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He wanted to breed tough roses, which did not require pampering or coddling and he did not believe in using chemical sprays and fertilisers, preferring to encourage birds for aphid control. Our little Eastern Spinebill is an excellent rose guardian!BlogAprilGarden20%Reszd2016-04-06 14.13.19Alister named his roses after horses, people and places. His first rose, Hybrid Tea, Lady Medallist 1912, was named after a successful racehorse, as was Squatter’s Dream 1923, Tonner’s Fancy 1928, Flying Colours 1922 and Courier 1930, while many of his roses bred the name of family friends, especially women, like climbing rose Gwen Nash 1920 and bush roses Peggy Bell 1929; Mary Guthrie 1929; Marjorie Palmer 1929; Countess of Stradbroke 1928 (the wife of the 3rd Earl of Stradbroke, who was the Governor of Victoria from  1920 to 1926) and Cicely Lascelles 1937 (photo below). He named Amy Johnson 1931 after the famous English pilot, who was the first woman to fly solo from England to Australia, to commemorate her landing and Edith Clark 1928 after his wife, who was also the Patroness of the Victorian Rose Society.

I will be writing about specific Alister Clark Roses on Thursday, but for more on the naming of his roses, read: ‘The Women Behind the Roses: An Introduction to Alister Clark’s Rose-Namesakes 1915 – 1952’ , written in 2010  by Andrew and Tilly Govanstone. It is also well worth reading ‘Man of Roses: Alister Clark of Glenara and His Family’ 1990  by Tommy R. Garnett and Susan Irvine’s Rose Gardens: Garden of a Thousand Roses with A Hillside of Roses by Susan Irvine 1992  for more information on this amazing rosarian, as well as an illustrated list of his roses.BlogAlisterClarkReszd20%IMG_9470Being a gentleman of private means with a philanthropic nature, Alister never bred or grew roses commercially, preferring to donate them to rose societies and charities for their fundraising efforts, as well as giving them as gifts to the people, after whom he had named his varieties. For example, Jessie Clark (photo below) was donated to the National Rose Society of Victoria to contribute to prize money at rose shows.BlogAlisterClarkReszd2014-10-19 15.15.58Alister Clark was the founding President of the National Rose Society of Victoria in 1889. He was highly regarded in the USA and was awarded a Honorary Life Membership of the American Rose Society in 1931 and elected as Vice-President of the Royal Horticultural Society of London from 1944 – 1948. In 1936, he was awarded the Dean Hole Medal from the National Rose Society in London, the highest honour in the rose world. Here is a photo of gold rose: Baxter Beauty 1924, not strictly bred by Alister Clark, but a sport of Lorraine Lee :bloghxroses20reszdimg_4796Alister died in 1949 and after his death, interest in his roses waned with the renewed availability and popularity of roses from Europe and America after the end of the Second World War. Also, they are large roses for large gardens and most bloom only in the Spring, so are unsuitable for gardens with limited space. While Black Boy, Nancy Hayward and Lorraine Lee remained constantly in nurserymans’ catalogues, many Alister Clark roses were lost during this period.

Interest in Alister Clark roses was revived in the 1980s, especially through the efforts of nurseryman, John Nieuwesteeg, and roselover, Susan Irvine, who grew many of them at her various gardens at Bleak House and Erinvale, Victoria and Forest Hall, Tasmania, about which she has written, the former two gardens faeatured in her book photographed below. It is also worth reading the interview with John Nieuwesteeg: http://gpcaa.typepad.com/settings/2011/02/alister-clark-roses.html  for more information about the search for Alister Clark roses and the establishment of the GPCAA’s Alister Clark Collection.blogrosebooks30reszdimage-233

Alister Clark roses are now grown in the Rex Hazlewood Rose Garden at the Old Government House in Canberra (26 Alister Clark roses); at the Alister Clark Memorial Rose Garden in the St. Kilda Botanic Gardens on Blessington St, St. Kilda (5 unlabelled Clark roses including Black Boy and Lorraine Lee. See: http://www.melbourneplaces.com/melbourne/alister-clark-rose-garden-%E2%80%93-botanical-gardens-st-kilda/) ; the Alister Clark Memorial Garden at Moonee Valley Racecourse; the John Nieuwesteeg Heritage Rose Garden at Maddingley Park, Bacchus Marsh; and the Alister Clark Memorial Rose Garden at Bulla.  Ruston’s National Rose Collection contains nearly all Alister Clark’s climbers, while State Rose Garden of Victoria at Werribee Park has a large collection of Alister Clark roses, especially the Gigantea climbers. The Geelong Botanic Garden grows Borderer; Lady Huntingfield; Mrs Fred Danks; Squatter’s Dream and Mrs Maud Alston, and the rose maze at Kodja Place, Kojonup, Western Australia has a hedge of Australian bred roses, including 32 Alister Clark roses.

Private gardens featuring Alister Clark roses include Richmond Hill and Forest Hall, Tasmania; and Carrick Hill, South Australia. They are also grown in some of the world’s greatest rose gardens like Bagatelle in Paris and Sangerhausen in Germany. Here is another photo of Nancy Hayward 1937 at Werribee Park.

BlogAlisterClarkReszd2014-10-19 13.55.38

And finally, a few notes about Alister’s family home, ‘Glenara’.

Glenara

10 Glenara Drive, Bulla, Hume City

Once the mecca of rose lovers all over Australia and home to famous rose breeder, Alister Clark, the 25 acre garden was started by his father Walter and ran right down to Deep Creek. The garden was designed by Charles Swyer and included fruit trees and a specialised collection of conifers and unusual Australian natives. The property was painted by Eugene von Guerhard in 1867, the painting now held in the National Gallery of Victoria.

When Alister owned Glenara, the garden was an informal garden, with drifts of daffodils carpeting the hillside opposite the house and roses planted informally through the garden. He employed up to 8 gardeners. After Alister’s death, it fell into disrepair with blackberry, smilax, kangaroos, possums and rabbits overtaking the garden.

The old house is now classified by the National Trust and listed on the Historic Buildings Register. See : http://vhd.heritagecouncil.vic.gov.au/places/177.

The verandah is festooned with blue wisteria and the yellow Banksia rose R. banksiae lutea, with China rose, Cramoisi Superieur, in the front bed. At the start of her quest, Susan Irvine visited owner Ruth Rendle at Glenara, where she was entranced with the wild and woolly garden, overgrown with periwinkle, smilax, agapanthus, long grass, wild daffodils and sweet peas and huge mounds of surviving roses including Jessie Clark; Milkmaid; Traverser; and Tonner’s Fancy. She took cuttings from 64 different bushes, but unfortunately, there were no labels, garden plans or records. A good proportion of them struck, though many of the climbers did not, those bred from R. gigantea stock being notoriously difficult propagate. Tonner’s Fancy 1928, photographed below, still flourishes at Glenara.

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Tomorrow, I will be writing about the Alister Clark Memorial Rose Garden at Bulla, one of my favourite rose gardens in Victoria!

Blue Sky Tag

Blue Sky Tag is a fun event for June, the height of Summer in the Northern Hemisphere, with plenty of blue sky days! Mind you, here in our milder Candelo Winter in the Southern Hemisphere, we are still being graced with beautiful blue skies, albeit a little cooler! So I guess I still fit the bill!BlogAutumngardenReszd2017-04-17 11.35.40I was nominated by Sophie, who writes a lovely blog: https://oldhouseintheshires.com/ , and shares many of my interests in gardening, vegetable patches and wildlife; children and education; interior decoration and antiques; upcycling; reading and writing; and travelling! I have been particularly enjoying her series: #MyGloriousGardens, where she describes some wonderful gardens with great photos as well! For a sample, see: https://oldhouseintheshires.com/2017/06/07/my-glorious-gardens-series-lacock-abbey-gardens-in-june/. So, thank you very much for your nomination, Sophie, and now, I will try to answer all your questions!! The photo below is of Blue Skies at Potato Point, 1.5 hours north of us, taken at the beginning of Winter, while the following one is of a pair of Wedge-Tailed Eagles, soaring in the blue blue skies above Bunga Head, 45 minutes away!Blog Blue SkyReszd20%IMG_0145Rules:

1.Thank the person who nominated you.

2. Answer their 11 questions.

3. Formulate 11 questions for your nominees.

4. Tag 11 bloggers and let them know.Blog Blue SkyReszd2017-05-08 16.27.46My Answers to Sophie’s Questions

Why did you start blogging?

I started my blog to document the development of our new garden, as well as share some of the magical gardens we have visited over the years and the incredible beauty of our new area. Since then, it has extended to include my twin passions of  Old Roses and books!

What is your least favourite part about blogging?

Keeping up with the technical computer aspects, like when WordPress occasionally makes changes and I have to figure out a new way of doing the things I want to do!!!

How long do you spend blogging each day?

It varies, according to the day of the week and particular post! I like to keep well ahead with my drafts, so there is no last minute panic, which requires a fair degree of organisation and planning ahead! Usually, on a Tuesday, I will recheck the drafts for editing errors before I post, so probably about half an hour maximum. Also commenting on other blogger’s posts and replying to comments might take another half hour. While the writing may take an hour or two and choosing, reducing the size and inserting the photos may take another hour, it is the initial research that takes the longest and this can take a whole day! I love the researching aspect and easily lose track of time when discovering a new subject area! I try to reserve Thursday for producing new posts, but occasionally may use part of Wednesday as well.

Do you have another job? What is it?

I volunteer at a charity organization, which recycles clothing, bric-a-brac, books, media and furniture, then resells them, so lots of variety in the job. Tasks vary from sorting, pricing, displaying, retail selling, and general cleaning.

How many pets do you have?

Our beautiful old dog, Scamp, died 2 years ago and while we will probably get another one at some stage, we are thoroughly enjoying the freedom of being able to visit our beautiful National Parks and take holidays without having to worry about kennels! We also love all the birds and insects, which visit our garden!

Do you speak any other languages and what are they?

I learnt French back at school and while there are limited opportunities to practise it here, it has been very useful on our two visits to France, as well as for translating French texts! It is a beautiful, romantic and lyrical language!

Which book are you reading right now?

I am really enjoying a library book: The Museum of Extraordinary Things by Alice Hoffman, a love story between two characters from very different backgrounds during the first decades of the 20th Century and set in New York. It is so good at conveying the magic and sense of wonder and curiosity of the time, as well as keeping you reading to the very end to discover the mystery of  the main character’s upbringings.

Which moment in history do you wish you could witness (and be safe!)?

I have always been fascinated by the time period from 1880 to 1910, when there was so much potential and so many things happening! I adore the Arts and Crafts Movement and Art Nouveau and also love the beautiful feminine wardrobe of the time, though I probably wouldn’t have liked the corsets!

Cake or Wine?

Definitely cake, which is not so good for my waistline nor weight, so I don’t have either cake or wine much these days! Unfortunately, wine gives me headaches now – I think it’s the preservatives! And I’m an incorrigible sweet tooth, so I always loved the tokays and sweet dessert wines the best, which isn’t good for my health either! So really, I should say neither!!!

If you could find out one secret or unknown from history or now, what would it be?

As an armchair amateur archaeologist, I would love to know the whole picture about the origin of modern humans. Archaeology is like a jigsaw with missing pieces and consequently, knowledge is always changing as each new piece is found!

Which is your favourite plant or flower and why?

Definitely Old Roses, because of their scents, generous blowsy forms, their subtle colours and their romance and history!

BlogAutumngardenReszd2517-05-06 11.16.58

My Questions for My Nominees:

  1. What do you enjoy most about blogging?
  2. What other hobbies and pastimes do you enjoy?
  3. Given your time over, without any restrictions, what would be your ideal job? Why?
  4. Which new country would you like to visit?
  5. What is your favourite quotation?
  6. If you were an animal, what would you like to be and why?
  7. What is your favourite time of year and why?
  8. What is your favourite film?
  9. What are the 3 most important character attributes to you?
  10. What is your favourite book and why?
  11. What is your favourite garden and why?

My Nominees:

https://traveladventurediscover.com

https://lovetravellingallaroundtheworld.wordpress.com

http://www.fromdreamtoplan.net

https://postcardfromgibraltar.com

https://darwinontherocks.com

https://mrs-twinkle.com

https://tanglewoodknots.com

https://chronicleofellen.wordpress.com

http://cookingwithawallflower.com

https://cooking-without-limits.com

https://smallestforest.net/

 I look forward to reading all your responses! x

 

 

The Versatile Blogger Award

My lovely daughter, Jenny Stephens, nominated me for this great award back in late January! Because we were away for most of the month, I have only just caught up with all my ‘to-do’ list, so given that Jen nominated me, I have decided to post my reply in the week of her birthday! Jen and I started our blogs at the very same time, only her posts are about travel. It’s a wonderful blog! She writes so well and her photos are superb! Reading her blog makes you feel like you are there! It has been a wonderful way to share her adventures, including all her thrills, which is at times, quite hair-raising for a parent !!! You can follow her travels at : https://exploreadventurediscover.wordpress.com.

versatileblogger-award

Here are the Rules for the Versatile Blogger Award

  • Thank the person who nominated you
  • Share the award on your blog
  • Share seven random facts about yourself
  • Tag 10 bloggers with less than 1,000 followers and let them know they’ve been nominated!

Mind you, having just consulted the following blog site: https://versatilebloggeraward.wordpress.com/vba-rules/, I discovered a few discrepancies! Sorry Jen ! I know you inherited your set of rules from your nominator! The site suggests tagging 15 bloggers (eek!), with no restriction on the number of followers, so I’m bending the rules for me ever so slightly! Even though awards are a terrific way of galvanizing one into searching out other blog sites, given how difficult and time-consuming it often is to determine the number of followers, I’m hedging my bets each way by nominating 10 bloggers (well, eleven strictly, but there’s a reason!) and disregarding the ‘less than 1000 followers rule’, though I will try to give preference to lesser-known blogs!

Seven Random Facts about Myself

  1. If you haven’t already guessed by my recent blog posts (!), I adore Old Roses. My favourite types are Noisettes and Albas, though really I love them all!!!
  2. I am also a keen birdwatcher and love our unique Australian birds.
  3. We travelled and camped all the way around Australia for 6 months in 2008. We climbed every mountain in the heat and lost so much weight! In the Cooktown Winter, I was having 6 cold showers every day!
  4. I relax before sleep with pixel puzzles and know it is time to go to sleep when I start making mistakes or come to a standstill!
  5. I like to plan ahead, both with my blogs, so I don’t panic (!),  and travel, so I don’t miss out on anything and make the most of our time! I could not live without my lists!
  6. I love books and reading and have been a keen library user for all my life. Often, I will borrow 10 books at a time.
  7. I also love film and if I had my time again, could easily pursue a career in film!

My Nominations

  1. http://www.shabbychick.me.uk: A delightful site by  Andrea Mynard, who lives in the Cotswolds with her family and writes about growing flowers, herbs and vegetables and then, cooking them! Her site resonates with us, as she shares our love of and belief in Simple Living, nature and creativity. I particularly loved her recent post on Hygge (http://www.shabbychick.me.uk/2017/01/28/hygge-wood-burner-cooking/), a new term for me, having only been recently introduced to it when my daughter bought a Christmas book from us on this Danish form of Simple Living.
  2. Andrea introduced me to Sarah, another keen gardener and cook, who has written two blogs : https://thegardendeli.wordpress.com/ and https://acrowdedtable.wordpress.com , the latter started in October 2015. Both have delicious recipes for cakes and pies, which is great for this fellow baker, but there are not a huge number of posts in the latest blog, so I’m not sure how active the site is! Maybe this nomination will inspire forthcoming recipes!
  3. I leap-frogged from Sarah to : https://aroundthemulberrytree.wordpress.com/, written by a Gippsland cheese-maker and sour-dough baker. Her photographs of her food, kitchen and garden in country Victoria, Australia, are beautiful and very inspiring!
  4. https://rabidlittlehippy.wordpress.com is another great blog about sustainability and ecoawareness by another country Victorian, with a terrific name, with which I totally identify!
  5. https://circusgardener.com/ has wonderful vegetarian recipes, which will greatly enlarge my limited repertoire and hopefully impress my vegetarian daughter, when she next visits! Its author, Steve Dent, also has some interesting thought-provoking posts on the politics of food.
  6. Emma Bradshaw, of Bradshaw and Sons, writes a delightful little blog,  http://emmabradshaw.blogspot.com.au/. It is all about simple family life and adventures, nature and wildlife, crafty ideas and recipes, photography and holidays, things that interest and inspire them and places they want to visit. If ever I visit London again, I will be sure to consult this lovely blog.
  7. https://jekkasherbfarm.wordpress.com/ is a wonderful informative blog for people like me, who love their herbs, and there are obviously a huge number of them! This nomination DEFINITELY breaks the ‘less than 1000 followers’ rule!! Jekka McVicar runs a herbetum and has an online shop, which sells seeds, books and herbal teas. See: https://www.jekkasherbfarm.com/. Her herbetum, which has the largest collection of culinary herbs in the United Kingdom, can be visited at Alveston, Bristol, South Gloucestershire and she also runs masterclasses in herb garden design, propagation, year round herbs and the use of herbs.
  8. Jekka introduced me to another herb-loving blogger, Lemon Verbena Lady, who also enjoys cross-stitch, another old hobby of mine, though I must admit that I don’t do so much, now that my eyes are not as good! She has some lovely lemon verbena recipes! Her blog address is: http://lemonverbenalady.blogspot.com.au/.
  9. The next nomination is: https://wildlifegardenerblog.wordpress.com . It is such a lovely blog about gardening, sustainability and environment by a kindred spirit! Beautiful photos and very inspiring!
  10. I have recently discovered the blog written by Emily Carter Mitchell at : https://bellaremyphotography.com. Her nature and wildlife photographs are absolutely superb and I have already learnt so much!
  11. And finally, because my second nomination may not be active still and Jekka’s blog has well over the restrictions on the number of followers (!), I have included an extra:  Lia Leendertz, who has written two delightful blogs: Midnight Brambling (now inactive, but can be accessed at : https://lialeendertz.wordpress.com/) and http://www.lialeendertz.com/blog/ . Both blogs have superb recipes, based on produce grown on her allotment, with enticing names like Gooseberry Knickerbocker Glory and Quince Icecream! I would love to be present at her Supper Club meals!!!

I know Jen would too! Happy Birthday Darling! Have a wonderful time in Greece and a year, full of happiness and many more exciting adventures, which I can’t wait to read about in your 2017 blog posts!!!