Books for Winter: Knitting Part One

Now that it’s Winter, it’s an ideal time to get out those needles and wool, cosy up in front of the fire and start knitting! While I am definitely no expert in the art form, hence I suspect my large number of books on the subject, I have still managed to make quite a few scarves and hats over the years, which I will feature throughout this post, including the odd challenging and stimulating technique! I actually did do a brief course in knitting at TAFE years ago, some of whose samples are also featured in this post!

Here are some of the knitting books in my craft library, which I have found particularly useful! Because this post is quite long, I have divided it into two posts: General Knitting Books (Beginners and Advanced) this week and Designers and Patterns (including toys) next week.BlogKnittingBooks2518-04-17 11.47.42General Knitting Books

Beginner Knitters

How To Knit: The Definitive Knitting Course Complete With Step-By-Step Techniques, Stitch Libraries and Projects For Your Home and Family by Debbie Bliss 1999

An excellent book for the beginner, the Introduction covers yarns and equipment and instructions for working from a pattern and knitting a tension swatch, to holding the yarn and needles, making a slip knot, casting on and off, increasing and decreasing, the basic stitches and the first of a number of simple projects throughout the book to familiarise the reader with the techniques.32476691_10156215149529933_7249506115308748800_nChapter Two covers single and double rib, picking up stitches, making a stitch and cast-off buttonhole, as well as a simple stitch pattern library.BlogKnittingBooks2518-04-17 11.34.37While Aran knitting, with its intricate cables, twists and bobbles creating amazing textures, is the subject of Chapter Three, personally I was more drawn to the colour workshop in Chapter Four with its emphasis on Fair Isle and Intarsia techniques. Joining in yarn, securing ends, weaving and stranding, working from a chart and working in the round with circular needles or a set of four needles is also covered.BlogKnittingBooks2518-05-13 13.38.47Chapter Five focuses on lace knitting, with instructions on yarn overs, additional decreases and making lace edging, as well as a lace stitch library of pretty lace patterns. While I will probably never do the complicated -looking entrelac knitting, it is still good to know that I can learn how-to in Chapter Six! I am more likely to use Chapter Seven, which discusses all the decorative details like embroidery, Swiss darning, loop knitting and fringing, the use of sequins and beads, making pompoms and cords, and finishing a garment with a decorative hem.

For more experienced knitters, there is a Design Workshop in Chapter Eight, which discusses design  principles and how to design a simple sweater, making sweater calculations, patterns and motifs, edgings and designing for children.

The final chapter appropriately focuses on finishing the garment: Making up and joining pieces, seams, picking up dropped stitches, unravelling, finishing fabrics by blocking and pressing and caring for knitwear.

Standard knitting abbreviations and yarn weights are included in the appendix, along with a list of stockists.BlogKnittingBooks2518-04-17 10.58.27

The Encyclopedia of Knitting: Step-By-Step Techniques, Stitches and Inspirational Designs by Lesley Stanfield and Melody Griffiths 2000

Another excellent book covering the basics, it is divided into three parts:

The Essentials: Materials, basic skills, and essential and additional know-how, including four different cast-on methods, knit and purl, garter and stockinette stitches, seven cast-off methods, picking up dropped stitches, shaping a garment with increases and decreases, picking up stitches, reading patterns and charts, understanding gauge, making up, hems and facings, fastenings, grafting, turning rows and bias and chevron knitting.

The Stitch Collection advances from basic knit and purl and ribs through cables, twists, bobbles and leaves and lace to stranded colour knitting, intarsia and special effects like cross-stitch and embroidery, incorporating beads and sequins, loops, slipstitch colour knitting, motif entrelac, tucks and pleats and circular knitting. The chunky cowl below was knitted in seed stitch on circular needles to a free pattern called Marian by Jane Richmond. See: http://www.janerichmond.com/products/marian-cowl.

BlogKnittingBooks20%DSCN1507BlogKnittingBooks2518-04-17 11.37.49Design and Inspiration covers the fundamentals of the design process: Measuring and number crunching, planning repeats, motifs and patterns, combining colour and cables, circular yokes and designing a cardigan, as well as a gallery of vintage patterns from the 1920s to the 1960s, multicultural influences, contemporary designers, colour and texture and knitting for kids and for fun.

In the back is a key to chart symbols, needle sizes and abbreviations and a glossary and index.BlogKnittingBooks3018-04-17 10.58.18Knitting: Over 20 Exciting Projects For you To Make For Home and Family  Published by  Treasure Press 1986

This simple old book was my introduction to knitting back in my early married days and I am including it, because it was the source of my very first completed project and introduced me to the art of Fair Isle Knitting.

There is a brief history of knitting at the start, followed by information on different types of yarns and needles, needle sizes, basic skills and shaping, advanced techniques like cables, bobbles, buttonholes and colour work, reading patterns, tension and abbreviations and stitch symbols.

Stitch patterns include ribs, Aran patterns, colourwork, lace, slipstitch colourwork and lacy edgings.

There is also a small section on finishing off, laundry symbols, aftercare, design and decorative finishes.BlogKnittingBooks2518-04-17 11.01.37

The rest of the book is devoted to patterns for a variety of sweaters and dresses, baby layouts, cushion covers and bedspreads and a beautiful Fair Isle trio of socks, gloves and hat, the latter which I knitted for my two girls- the book’s bright version for Caro in the photo below and a softer version in pastel blue, pink and green mohair for Jen.BlogKnittingBooks2518-04-17 11.27.30

And lastly, for the kids…!

Fun With Wool Published by the Australian Wool Corporation 1981

An oldie, but a goodie, from which my children learnt to knit. It starts with Finger Knitting and  French Knitting with a homemade nancy, though we used the old wooden cotton reels with four nails in the top, as well as plying, plaiting and twisting cords and making wool collages.BlogKnittingBooks3018-04-18 07.42.53Basic Knitting is next with easy  illustrated instructions for casting on and off, knit and purl stitches, stocking stitch and rib, increasing and decreasing, joining seams; reading a pattern, tension, pompoms and tassels and embroidery stitches.

There are many suggestions for knitted projects from jewellery, finger puppets and toys to pencil cases,tennis racquet covers, patchwork throws, scarves, hats and mittens, and simple jumpers made out of squares and rectangles.BlogKnittingBooks2518-04-17 11.22.43

There are also chapters on basic crochet; simple weaving using cardboard looms or picture frames, forked branches and even cross of two sticks to make a God’s Eye; and basic spinning using a pencil or spindle. Here are two photos of my children knitting scarves- 14 year old Caroline knitting a bright colourful scarf for the Armidale Winter (above) and our 20 year old university student Jenny, who made us all long red scarves in the even colder Canberra Winter.BlogKnittingBooks2518-04-17 11.44.46 She also commemorated her knitting forays in this cute illustration and even her own song- ‘The Long Red Scarf’!BlogKnittingBooks2518-04-17 11.44.52More Advanced Knitters

The Handknitter’s Design Book: A Practical Guide To Creating Beautiful Knitwear by Alison Ellen 1992

While probably a bit advanced for me, this book is perfect for knitters, who want to create their own designs! It starts by examining the precedents of knitting- its history and traditional techniques; different kinds of yarn: wool, alpaca/angora and cashmere, cotton and linen, silk, synthetics and more unusual material like string and ribbon, rags and waste packaging; the properties of stretch and drape; choosing needles, tension and basic knitting techniques with all the possible variations including casting on and off; picking up stitches and colour knitting. The swatches below feature in order: Simple Cable Ribs (Cable to the left; Cable to the right); Horseshoe Cable; and Plaited Cable.

Texture, colour and patterns (horizontal/vertical and diagonal stripes; grids and checks; dots and repeat motifs; geometric; motifs; pictorial/floral and abstract/ random) are examined in great detail in Chapters Four to Six, while Chapter Seven focuses on shapes and details: block patterns; calculations and measurements; adjustments for different body shapes; shape variations-chevrons; waisted shapes, peplums and frills; skirts; sleeves and cuffs; armholes; necks; collars; openings; buttonholes and loops; pockets; and joins and seams. Below is a photo of a beautiful Broken Cable Pullover, which I bought thirty years ago and which still attracts admiring comments every Winter!BlogKnittingBooks20%DSCN1491The Stitch Library is an excellent reference guide to over 50 different types of knitting stitches and is followed by a few projects, which can be used as a starting point for your own individual designs, with basic patterns for triangular and diagonal shawls; simple jumpers, cardigans and hats; and cushions.BlogKnittingBooks2518-04-17 10.58.35

Alice Starmore’s Book of Fair Isle Knitting by Alice Starmore 1988

While designing my own garment from scratch is probably beyond my capabilities, I do love colour and am much more prepared to take up the challenge of Fair Isle knitting, with which I have had a lifelong love affair! In fact, we even spent a weekend staying at a bird observatory lodge on the Fair Isle, when we visited the United Kingdom in 1994. While we were there, I bought a beautiful warm polo neck jumper from some local knitters, featured in the photo below.BlogKnittingBooks20%DSCN1498BlogKnittingBooks20%DSCN1497Alice Starmore is a foremost authority on Fair Isle knitting and I own two of her books, one of which I have already featured in my post on Design Books. See: https://candeloblooms.com/2018/01/23/craft-books-colour-design-and-inspiration-part-one/.

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While Charts for Colour Knitting has a distinctly multicultural feel with traditional and adapted patterns from all over the world, her Book of Fair Isle Knitting is specific to this beautiful little isolated island, with the first chapter giving a brief overview of the island’s history, as well as the origins and development of its unique style of stranded knitting.BlogKnittingBooks2518-04-19 08.28.33

In Chapter Two, she discusses Pattern: the different types; reading pattern charts and creating patterns with a pattern library for Peerie, Border, Large, Allover, Norwegian Stars and Seeding patterns. Chapter Three focuses on Colour: its effect on and use in design with a gallery of different colour combinations for inspiration, while Chapter Four really gets down to the nitty-gritty with an emphasis on Technique: Circular knitting; Tension/ gauge; Casting-on; English and Continental knitting methods; Weaving in strands and corrugated ribbing; Increases and decreases; Steeks (the Scottish word for bridging openings like cardigan fronts or armholes when circular knitting); Joining knitting; Trimmings (buttonholes, pompoms, fringes and cords) and the care of Shetland wool garments.BlogKnittingBooks2518-04-19 08.29.24

The Wardrobe of Patterns contains patterns for ganseys, sweaters, cardigans, jackets, vests and accessories (tammy, gloves and mittens), so the readers can gain confidence before embarking on the final section titled: Creating Your Own Designs, definitely a section for the more advanced knitter than myself!!!

It discusses measurements, drawing a plan, gauge, calculating stitches and rows, fitting patterns into widths/ lengths, centreing patterns, and  progressing from design to working instructions.

There are notes on designing tammies and caps; a gansey with a gusset (love the phrase!); gansey variations; cardigans; and variations in the shape and style of necklines, sleeves and lengths.

BlogKnittingBooks3018-04-17 12.26.17

An excellent reference guide for anyone interested in developing their knowledge and skill in Fair Isle Knitting!

Next week, we will feature books on knitting designers and their patterns.

Craft Books: Colour, Design and Inspiration: Part One

As you all know, I am a keen craftswoman with quite an eclectic range of interests from drawing, printing, paper craft and photography to a wide variety of textile crafts including knitting and crochet; felting and dyeing; embroidery; appliqué and patchwork; dressmaking; soft toy making and textile history and culture; so this year, I am concentrating on the wonderful books in my craft library, starting this month with those concerning: Colour, Design and Inspiration!

Unfortunately, because this is quite a large post, I have had to divide it into two parts. While many of my embroidery books contain chapters on colour theory, design and inspiration, the books featured in this post have been chosen for their detailed coverage of this topic.

Colour

Collins Artist’s Little Book of Colour by Simon Jennings 2007

This is a very practical guide for artists to the huge subject of colour, covering not only its history and origins, but also providing a Colour Index, a visual reference source of all the most popular artists’ colours for oils, watercolour, acrylics and gouache.BlogColorDesignReszd30%Image (739) The authors reviewed more than 1500 colours from 11 of the world’s leading paint manufacturers and selected 400 colours for the index, categorizing them by name, medium, pigment, hue and variety.

As can be seen in these colour charts from pages 82-82 (photos below), the same-named colour may vary in hue according to the medium and even within one medium, between different manufacturers. BlogColorDesignReszd40%Image (740)BlogColorDesignReszd40%Image (741)In the back is a guide to the main suppliers, as well as notes on pigment standards and colour terminology.

Colour: Travels Through the Paintbox by Victoria Finlay 2002

A far more romantic approach and treatment of colour, this paperback is ‘packed with stories, anecdotes and adventures. A full rainbow…as vivid as the colours themselves’ according to the Express. I couldn’t have put it better myself, which is precisely why I have quoted them!!!BlogColorDesignReszd40%Image (744)

Victoria writes so well and shares her fascination and passion for the world of colour so easily with the reader. She scours the world for little-known facts about colour from the Neolithic ochre mines of the Luberon in France or Sienna in Tuscany, Italy to the aboriginal ochre traders from Arnhemland and the Tiwi Islands in the Top End; Alice Springs in Central Australia; the Flinders Ranges in South Australia and the Campbell Ranges in Western Australia.

For example, the colours, Black and Brown, are steeped in prehistory and stories in this particular chapter range from prehistoric cave art, charcoal willow and early mascara to the history of lead pencils, including Derwent Pencils and the Pencil Museum in Keswick, Conté’s crayons and Chinese pencils; the manufacture of Egyptian and Chinese inks (the latter, also known confusingly as Indian ink) from soot, mixed with gum or resin respectively, and medieval inks from wasps nests, producing galls in oak trees; and natural dyes (again, the fading oak galls and alum; and the darker, more permanent logwood) and the dubious use of mommia brown, made from dead Egyptians!

There are so many more fascinating stories, illustrated with line drawings and a few colour plates, about the other colours: White, Red, Orange, Yellow, Green, Blue, Indigo and Violet, that this book is essential reading for anyone interested in history, art and colour!

The same author has also turned her attention to the semi-precious  and precious gemstones and jewels, including Amber, Jet, Pearl, Opal, Peridot, Emerald, Sapphire, Ruby and Diamond (the last four being precious gemstones), with equally fascinating histories and anecdotes. Buried Treasure: Travels Through The Jewel Box by Victoria Finlay 2006 (photo above)  is another terrific read!BlogColorDesignReszd30%Image (744) - Copy

The Natural Paint Book: A Complete Guide to Natural Paints, Recipes and Finishes by Lynn Edwards and Julia Lawless 2002

BlogColorDesignReszd25%Image (748)

This book deals exclusively with natural paints and finishes with chapters on the story of paint; the environmental and health consequences of our choices concerning paint products; and a swag of natural paint recipes using quark (milk curd, the basis of casein paints), lime, borax, cellulose glue, linseed oil, plant dyes and tannins, beeswax, egg yolk and egg white, gum arabic, gesso, and even lager beer!

The book then details a large number of creative decorative techniques and effects, including roller fidgeting; shading; colour washing; layering; sponging; creating texture with a roller ; stippling; dragging and combing; rag rolling, frottage and bagging;  stencilling; wax resist; freehand painting; glazework; oil finishes; liming with wax; distressed casein; clay, Venetian  and coloured natural gypsum plasters; and frescoes.

There is a section on the art of Feng Sui; the principles of decoration (space, style and features, light and lighting, colour, materials and harmony and contrast), as well as design suggestions for interior decoration of each room of the home. This is a very useful book for artists wanting to make their own paints, as well as people wishing to use natural paints in their homes.

I have already covered Colour in Nature by Penelope Farrant 1999 in my post: https://candeloblooms.com/2017/08/01/our-beautiful-earth-part-four-natural-history-books-reference-guides/.

Design

While many of my books on embroidery, knitting and appliqué have separate chapters on the principles and elements of design, I have always loved the following book:

The Textile Design Book: Understanding and Creating Patterns Using Texture, Shape and Colour by Karin Jerstorp and Eva Köhlmark 1988;

I have always loved this practical and inspiring book!BlogColorDesignReszd30%Image (751) While specifically written for textile designers, its exercises with sketching unconventional and natural materials; colour; texture; patterns (including stripes, squares, borders and stylised decorations) and design simplification are pertinent to any design medium from painting to collage; fabric and clothing design and dyeing; knitting and weaving; embroidery, patchwork and applique; pottery and jewellery, glass and paper craft; and even interior design and architecture.

Alice Starmore’s Charts for Color Knitting by Alice Starmore 1992/ 2011

While specifically written for knitters, I found all the charts in this book very applicable for cross-stitch (and weaving) as well.BlogColorDesignReszd25%Image (752)

There are traditional (Norway, Sweden and Finland; Latvia, Estonia and Lithuania; Russia; and South America) and adapted patterns from textiles and other arts like Japanese porcelain and Celtic Metalwork (Celtic; Greece; the Caucasus; Middle East and Far East) and Alice’s original, topical geometric and nature-inspired patterns covering:  Birds and Flowers; Sea and Shoreline; and The Inner Landscape.

Allover patterns; single motifs; and vertical panels and horizontal borders are included for each section and there are practical instructions for incorporating all these into unique designs. The book starts with a section on Designing Patterned Sweaters and finishes with a A Word on Colour. This is an excellent source book for all craftspeople interested in design.

Inspiration

Sources for inspiration are infinite and only limited by your imagination! Where you find your inspiration is really determined by your art practice, as well as your interests. For example, I really enjoy hand embroidery, so some of my sources listed below include books involving line and repetition of pattern, as embroidery is really drawing with thread. For example, books on Mehndi (Henna Art), Celtic Artwork, Pen Illustrations, Zentangles and Mandalas. I also find tattoo art and the abstract patterning of linoprinting inspirational. My interest in toymaking is inspired and informed by books about fantastical creatures, medieval bestiaries, symbolism and children’s novels. My interest in gardening, nature, birds, archaeology and history; and reading, many books of which I have already described in previous book posts, also inspires my work and let’s not forget that modern-day marvel, the internet, including Pinterest, which encompasses information and inspiring ideas from all over the world and over many different time periods. Here is a brief selection of some of the books in my library, which I have found useful, but first, a final word:BlogColorDesignReszd30%Image (763)As with the previous book, cross-fertilisation of ideas from a number of different art and craft practices is very beneficial. For example, I have two tiny Paper Salon Catalogues, (photo above and below) which illustrate the various patterns of rubber stamps, available for purchase and used to decorate stationery, greeting cards, envelopes and invitations.BlogColorDesignReszd30%Image (762) While excellent for advertising, I also have found them to be a wonderful source of ideas for embroidery patterns, and while the patterns are obviously trademarks of paper salon, the designs can be tweaked for originality and will often be thus anyway with the different type of medium and techniques. Here is a sample page, page 7 of the pink book:BlogColorDesignReszd30%Image (761) which I used for my French cushion design, a gift for my neighbour’s 60th French-themed birthday!Blog Printemps20%Reszd2015-09-15 16.19.29Nature

Another useful pattern book, complete with a downloadable CD, is: 5000 Flower and Plant Motifs by Graham Leslie McCallum 2011, which includes designs from different geographical areas, historical time periods and artistic styles (Mesopotamian; Egyptian; Greek; Romanesque Byzantine; Medieval; Islamic; Chinese; Japanese; Folk; Art Nouveau and Art Deco) and subject areas: Flowers and Leaves; Fruit and Vegetables; Nuts, Seeds and Cereals; and Trees.BlogColorDesignReszd30%Image (764) The designs can be copied, enlarged, traced or developed further for creative use in any field from embroidery to ceramics, woodwork and metal work. There are also a number of border patterns and an index in the back.

This book is an excellent source for inspiration, especially if you are a keen gardener as well!  From this book, it’s a short hop to combining those patterns with the following book:

2000 pattern Combinations: A Step-by-Step Guide to Creating Pattern: For Graphic, Textile and Craft Designers by Jane Callender 2011

BlogColorDesignReszd30%Image (768)Slightly more complex, this book discusses a huge variety of technical aspects: Tiles, Tessellations and Grids; Basic Geometric Shapes and their Positioning; Bold Geometric Designs; Colour Theory; Symmetry;  Varying Scale, Tonal Contrasts and Building up Colour; Borders and Corners; The Use of Diagonals and Checks; Abstraction; Disguising the Repeat and Hiding the Motif; Backgrounds; Emphasing Line; Overlaying Colour and Playing with Tone; Shadowing; Shibori; Dots and Splodges; Links; and Damask Patterns.

Art Forms in Nature by Ernest Haekel 1904/ 2014;

Ernest Haeckel (1834-1919 )is a favourite of mine for his meticulous and other-worldly illustrations of life’s miracles.BlogColorDesignReszd2517-11-30 11.40.12While the book begins with chapters on his professional life and his devotion to art and science, as well as instructions for viewing his pictures, and finishes with biographical notes and a list of plates, the majority of the book is devoted to Haeckel’s amazing artworks, reproduced on 100 black-and-white and colour plates, which inspire a sense of wonder and an appreciation of the beauty of nature and all its inhabitants.

Artistic Designs

The Mandala Book: Patterns of the Universe by Lori Bailey Cunningham 2010

This is a fascinating book, which explores universal patterns and geometric forms in nature: circles and radials; dyads; triangles and squares; pentagoms and hexagons; and patterns including branching, cycles, waves and fractals.BlogColorDesignReszd30%Image (774) Its explanations are based on the concept of the mandala, which is defined as ‘an integrated structure around a unifying centre’( page 6), a symbol of unity and wholeness in many religions, and an expression of life itself.

There are some wonderful photographs and images in this book, which really get you thinking and inspire a myriad of possibilities for the next artwork! The book finishes with a selection of mandalas to colour in.

The Celtic Art Source Book by Courtney Davis 1988

The Celts were masters of symbolism and decorative stone and metal carving and knotwork.BlogColorDesignReszd30%Image (777) Like the Islamic faith today, copying or portrayal of the works of the creator (plant, animal, fish, reptile, bird, mammal and man) was forbidden, so the artistic representation of natural creatures is highly stylised and abstracted, with body parts intertwined in intricate patterns.

I love the abstract patterns, the spirals and clever interlacings and the symbolism and mythology behind their artwork.  This book describes key patterns and knotwork designs, like the Thread of Life, the Sacred Dance and the Celtic Cross, as well as spirals, the cosmic symbol; zoomorphic ornamentation and Celtic myths and legends.

Throughout the book are wonderful black-and-white and colour illustrations of their artwork, including borders and calligraphy.

The Art of Mehndi by Sumatra Batra 1999

There are some wonderful symbolic designs and patterns employed in the art of mehndi or henna body painting, which has been practised for over 5000 years in India, North Africa, South East Asia and the Middle East.BlogColorDesignReszd30%Image (782) Spanning many different countries and religions, it encompasses a wide variety of styles from the fine floral and paisley Indian patterns, the larger floral Arabic motifs drawn on hands and feet, and the bold geometric shapes of African designs. This book describes the history, use and customs and symbolic meanings in each area, including its use in the contemporary Western world, as well as giving practical advice about its manufacture, application and techniques.

However, the best part of this book are the patterns themselves: the individual motifs; spirals and vines and designs for fingers; wrist cuffs, armbands and anklets; hands and feet; necklaces and chokers; and even designs for the back! It includes a list of resources in the back. Not only is it a much more acceptable (in my mind anyway!) and less permanent and damaging  alternative to tattoo art, but like the latter provides much inspiration for other art forms involving line work like hand embroidery and graphic art.

I loved the images in this book and could easily wear them in an appropriate situation, especially if I was younger! Maybe, I am a closet tattoo wearer after all, but I still prefer the monochromatic nature of henna art- to my mind, it is far more elegant, understated and visually appealing then the multi-coloured mishmash of contemporary tattoos!

One Zentangle a Day: A 6-Week Course in Creative Drawing for Relaxation, Inspiration and Fun by Beckah Krahula 2012

Another way to get the creative juices flowing is Zentangle Art. BlogColorDesignReszd30%Image (785)A more sophisticated and contemporary form of doodling, this meditational art form is also often monochromatic in nature, but can also involve colour. Zentangles are defined as ‘miniature abstract works of art, created from a collection of nonrepresentational patterns on a 8.9 cm square piece of paper called a tile’ (Page 13).

The Zentangle process is described on page 25:BlogColorDesignReszd50%Image (786)

It is unplanned, limitless and judgement-free, as there are never mistakes, only a constant unfolding of surprises. Below is my free-form zentangle:BlogColorDesignReszd25%Image (787)

Materials can include thick art paper zentangle tiles (Tiepolo) and sketch pads, drawing pencils (2H and 2B) and white pastel pencils; black pigma micron pens (sizes 005, 01 and 05), Sakura gel pens, watercolours, gelatos (opaque paint sticks), Inktense colored pencils and water-soluble oil pastels, copic sketch markers, Pentel colour brush sets, an ampersand clayboard, plexiglass, gum Arabic and a protractor, although zentangles can really be drawn with anything on anything! Here is my Zentangle Tortoise:BlogColorDesignReszd75%Image (793) - CopyThis book progresses over a six week period with daily practice with chapters on the basics; tangles and value patterns;and  geometric and organic patterns; to understanding and using colour; defining and using style; paper batik and zendalas; and techniques for monoprinting, creating ensembles, painting fabric and using resin, and the use of calligraphy and folk patterns, as well as providing an inspiration gallery in the back. My daughter Jenny is a very accomplished Zentangler, as can be seen on the cover of her CD of original songs.BlogCreativity140%ReszdImage copyChildren’s books, art books, in fact any books, are wonderful sources of inspiration and are the subject of my next post next week. Until then… Happy Dreaming!